Music & Audio

• Designed to deliver maximum performance from state-of-the-art Tri-Amp Systems.
• True audiophile performance for accurate sound transmission with clear transparent response
• Rugged superflexibility for the most demanding professional applications
• No. of Conductor: 4
• Conductor Size: 4mm² (#12AWG)

• Measures 99.1 to 381 cm
• Five Locking Sections
• Side 3-Pin XLR Connection
• Lightweight Graphite Design
• Captive-Collet Coupling System

• Loudspeaker Management
• Mac, PC, iOS & Android Mobile Control
• Crossover for 2- or 3-Way Systems
• AutoEQ Automatic Room AEQ Function
• Automatic Feedback Suppression

• Measures 1.12 to 4.87m
• Six Locking Sections
• Lightweight Graphite Material
• Offers Increased Interchangeability
• Removable Headpiece
• Removable Bottom Bumper

• S4-7 Band (630 - 662 MHz)
• Creators, Videographers, Newsgatherers
• ME 2 Omni Lav Mic/Bodypack Transmitter
• Plug-On Transmitter/Recorder, +48V
• True-Diversity Camera-Mount Receiver
• Pro Features with Fast & Easy Setup
• 134 dB of Dynamic Range, 24-Bit Audio

• Built-In 22-Track SD Recorder.
• USB Audio Interface (iOS Compatible).
• 16 Mono Inputs + 2 Stereo Inputs.
• Channels 1-2 Offer Hi-Z Inputs.
• Phantom Power and -26 dB Pad.

• Wired or Wireless Miniature Close Miking
• Violin/Viola/Mandolin/Similar Instrument
• KK 14 Capsule Head
• MCM 100 Output Stage with XLR
• SH 150 Flexible Gooseneck
• Clip for High String Instruments

• R1-6 Band (520 - 576 MHz)
• Digital wireless eliminates noise, interference and static bursts
• UHF transmission greatly enhances range, reliability and scalability
• Mobile App streamlines setup and operation and eliminates complicated menus
• Automated setup creates reliable connections with minimal time and effort

• Integrated Wi-Fi Module
• iOS, Android, Mac, Windows, Linux Control
• Midas Microphone Preamps
• XLR Outputs
• M32 FX Rack with 4 Stereo FX Slots

• Recreation of Pultec EQP-1A
• Aesthetics and Sonics of the Original
• CineMag Transformers and Premium Tubes
• Fully Discrete Design
• Five Added Frequency Points

• 4 Tube Design
• Dual Cinemag Transformers
• Kenetek Opto-Cell
• Discrete Signal Path

• Location Recording and Filmmaking
• 32-Bit Float Recording Avoids Clipping
• 8 x High-Gain, Low-Noise Mic Preamps
• Records 8 Inputs & Stereo Mix
• Ambisonics, WAV & MP3 Audio Formats
• Supports Control via App or F-Control

• Measures 0.8m to 2.8m
• Six Locking Sections
• Lightweight Graphite Material
• Offers Increased Interchangeability
• Removable Headpiece
• Includes KPCK9 Coiled Cable Kit

• “D-PRE” mic preamps with an inverted Darlington circuit
• 1-Knob compressors
• PAD switch on mono inputs
• Max. 16 Mic / 20 Line Inputs (12 mono + 4 stereo)
• 4 GROUP Buses + 1 Stereo Bus

• Load Plug-in Presets and Channel Strip change routing directly from UC1
• Switch between 3 different DAWs that are connected to the Plug-in Mixer
• High Quality all metal enclosure, with a brushed anodised top plate
• Hi-Speed USB connection to computer

• Tiny 5mm Mic for Stage, TV, Presentation
• Cardioid for Less Background & Feedback
• For Various Transmitters via Adapter
• Handles Speech and Vocals up to 144 dB
• Dual-Ear, One-Size-Fits-All Headset
• Adjustable Stainless Steel Frame

• Broadcast, TV, Film & Location Recording
• For Fixed Positions, On-Camera, and Boom
• 60 Hz Filter, 2 dB Soft Boost at 15 kHz
• 70 Hz to 18 kHz Frequency Response
• Authentic Crystal-Clear Sound
• Supercardioid Pickup for Focused Audio

• 1.9GHz frequency range
• Full Duplex Communication
• Ultra clean and clear sound quality
• Hands-free operation
• 400m transmission
• Lever-type switch design for quick operation

• Max. 16 Mic / 20 Line Inputs (12 mono + 4 stereo)
• 4 GROUP Buses + 1 Stereo Bus
• 4 AUX (incl. FX)
• “D-PRE” mic preamps with an inverted Darlington circuit
• 1-Knob compressors

• S4-7 Band (630 - 662 MHz)
• Digital wireless eliminates noise, interference and static bursts
• UHF transmission greatly enhances range, reliability and scalability
• Mobile App streamlines setup and operation and eliminates complicated menus
• Automated setup creates reliable connections with minimal time and effort

• S4-7 Band (630 - 662 MHz)
• Digital wireless eliminates noise, interference and static bursts
• UHF transmission greatly enhances range, reliability and scalability
• Mobile App streamlines setup and operation and eliminates complicated menus
• Automated setup creates reliable connections with minimal time and effort

• 130 mm Composite Sandwich Woofer Cone
• 25 mm Titanium Dome Tweeter
• 160 W Peak Analogue AB Amplifier
• Elliptical Modelled Dispersion Waveguide
• Wide Horizontal Dispersion

• For the H9000

• Directivity Control Waveguide (DCW™) Technology
• Active Crossovers
• SPL: 104 dB
• Frequency Response:47 Hz - 25 kHz (-6 dB

• One-size-fits-all
• Comfortable 3-point grip - above, below, behind the ear
• Easily adjustable - frame size, boom length, placement
• 90° adjustable cable guide - keeps cable out of sight
• Non-reflective PVD surface on headset frame, boom, capsule

• For Vocals, Live Stage & Theater
• Supercardioid Polar Pattern
• 20 Hz to 20 kHz Frequency Response
• Built-In Three-Stage Pop Protection Grid
• Built-In Internal Shock Mount

• For DIY Videographer/Vlogger, Journalist
• Omnidirectional Lav Mic
• Bodypack Transmitter with Auto Gain
• Plug-On Transmitter with 48V Phantom
• True-Diversity Camera-Mount Receiver

• For Vocals, Instruments, Drums & Cabs
• Cardioid Polar Pattern
• Pad at -6 or -12 dB
• Low-Cut Filter at 80 or 160 Hz
• 25mm True Condenser Capsule

• Used to control powerful primary reflections
• 'Roman Pillar' shape is ideal for spacing along walls
• Easy-to-install on practically any surface
• Adapts well to most architectural designs

Acoustic Treatment, Control Primary Reflections, Eliminate Flutter Echo, Reduce Standing Waves, Roman-Pillar Column Design, High-Density Fiberglass

• B Band (626 to 668 MHz)
• Pair of IE 4 Earphones
• EK IEM G4 Stereo Receiver
• SR IEM G4 Stereo Transmitter

• Three Selectable Polar Patterns.
• Cardioid, Omnidirectional & Figure-8.
• Custom Brass CK12-Style Capsule.
• JJ 12AY7 Vacuum Tube.
• CineMag USA Output Transformer.

• Nine Polar Patterns.
• K47-Style Capsule Reproduction.
• Gold-Sputtered, 6-Micron Mylar Diaphragm.
• TAB-Funkenwerk (AMI) Output Transformer.
• JJ 5751 Vacuum Tube.

• 26 x 26 I/O Digital Audio Interface.
• 24-Bit / 192 kHz, 115 dB Dynamic Range.
• 8 x XLR/1/4" Inputs with XMAX Preamps.
• 18 I/O via S/PDIF & ADAT.
• 10 x 1/4" Line Outputs.

• Mic, Line, and Instrument Inputs.
• Insert Send and Return.
• Balanced XLR and 1/4" Outputs.
• Up to 80 dB of Gain.
• Carnhill Transformers.

• 10 Mic Inputs
• 16 Line Inputs
• Built-In FX with 24 Presets
• XLR and TRS 1/4" Stereo Outs
• Four Group Buses and Four Aux Sends

• 1920 x 1200 LCD 7" Screens
• For Video Wall or Broadcast Truck
• 3G-SDI and HDMI Inputs/Outputs
• Supports up to 1080p SDI and 2160p HDMI
• Load Custom 3D LUTs via USB

• Record/Stream Audio for VR, Films, Games
• 8-Capsule Array, Second-Order Ambisonics
• USB, ADAT Lightpipe, Headphone Outputs
• Windows/Mac, iOS/Android

• Musicians, Podcasters, and Producers
• USB Type-C Connectivity
• 2 Mic/Line/Instrument Preamps, 6 Line In
• 1 Headphone Out, 10 1/4" Line Outs
• High-Performance 24-Bit / 192 kHz AD/DA

• Channel strip for studio and live sound
• Switchable for mic, line, or instrument-level signals
• Switchable 48V phantom power and phase reverse
• Program-adaptive Gate, VCA compressor, De-esser, and EQ
• Multiband "Tube Saturation" feature for subtle warming effects
• Limiter on the output stage with a preset threshold (+16dB)

• Recreation of Tube Classic Microphone
• EF86 Tube & High-Quality Components
• Smooth, Buttery Sound
• For Vocals & Instruments
• Omni, Figure-8, and Cardioid

• CineMag USA Output Transformer.
• Class-A Design + Fairchild FETs.
• Polystyrene and Wima Capacitors.
• Vintage-Style Cardioid Capsule.
• -10 dB Pad.

• Two-Ear Wearing Style
• For Stage and Television
• 20 Hz to 20 kHz Frequency Range
• Cardioid Polar Pattern
• Hardwired MicroDot Connector

• B Band (626 to 668 MHz)
• SKM 100 G4 with e935 Capsule
• EM 100 G4 Rackmount Receiver
• 1680 Tunable Frequencies Across 42 MHz
• Auto Frequency Scan Finds Open Bands

• 3 continuously variable waveshape oscillators
• A new SSI filter plus the original UNO Synth filter
• Full ADSR envelopes + LFOs and modulation matrix
• 256 User-editable presets, onboard arpeggiator
• 64-step sequencer with automation

• Integrated AB 3700 Booster
• Front-to-Back Ratio of >= 14 dB
• Up to 15 dB of Amplification
• Compatible with EM3731, 3732-II, EM2000