Roland M200i 32-Channel Digital Mixer with S-1608 Digital Snake Kit
Features
- 32-Channel Digital Mixer
- S-1608 Digital Snake
- 24-Bit/96 kHz Audio Quality
- Remote Controllable with or without iPad
- Mixer with 17 Motorised Faders
Description
The Roland M200i 32-Channel Digital Mixer with S-1608 Digital Snake Kit is a sound reinforcement solution that provides a comfortable mixing environment with 24 analogue inputs, 12 analogue outputs, and a stereo digital output (AES/EBU), and is bundled with a digital snake with 24-bit/96 kHz audio quality. It can be used for several applications such as bands, corporate A/V events, seminars, rental and staging houses, houses of worship, broadcasters, and more.
The M-200i 32-Channel Live Digital Mixing Console from Roland is a V-Mixer with 24 analogue inputs, 12 analogue outputs, and stereo digital output (AES/EBU), all built-in to the main unit and it is ready to perform out of the box. It can be used in sound reinforcement applications such as rehearsals, live stage, theatre, houses of worship, and more.
The basics of any mix starts with good channel processing and all input channels are equipped with two dynamics processors and 4-band parametric equalisers. The Main, 8 Aux and 4 Matrix output busses are also equipped with a compressor, 4-band parametric AEQ, limiter, and delay.
The M-200i features 17 motorised faders, dedicated buttons and knobs for key functions, and can interface with an iPad (sold separately) as a large touchscreen display. Use the iPad for intuitive control of effects and other graphical manipulation, while physically controlling the volume with the motorised faders.
In addition, the M-200i incorporates a built-in REAC port that allows you to expand using any other device from the REAC family including Personal Mixers and/or Multi-channel Recorder/Player technology (sold separately).
The S-1608 16x8 Stage Unit Digital Snake System from Roland is a small format audio snake solution that offers 24-bit/96 kHz audio quality. It can be used in applications for bands, corporate A/V events, seminars, rental and staging houses, and broadcasters who need the best possible sound quality from their audio without the high-frequency losses and bulk of an analogue snake.
The S-1608 features 16-XLR microphone preamps with 48V phantom power and 8 XLR outputs. There is one digital output connector, an REAC (Roland Ethernet Audio Communication) output connector, an RS-232C, and DB-9 output connectors built into the unit.
Connections to the microphone preamps are made on stage where it is controlled using the S-4000R (sold separately), or the free PC/Mac RCS software. The audio is then amplified and converted at the closest point to the sound source and sent using Cat5e cables to the front of house mixer instead of using large multi-core copper cables. As a result, the S-1608 Digital Snake system is immune to the hums and buzzes caused by electrical noises inherent in analogue snakes.
Features
Hybrid Surface that Combines an iPad with a Physical Controller
The iPad functions as a latouchscreenreen display. Use the iPad for intuitive control of effects and other graphical adjustments, while physically controlling the volume with the motorised faders. The advanced "Touch & Turn" surface provides a more convenient mixing environment than ever before by allowing you to touch a control on the iPad and control it with a physical knob
All Functions Required for High-End Live Audio Production
The M-200i has a comfortable mixing capacity with its 32 channel inputs + Main/8 AUX/4 Matrix outputs. Despite its compact size, the M-200i ensures a comfortable 32 channel input mix capacity. The output has the full specifications of Main (LR)/8 AUX/4 Matrix, which supports many mixing applications. Any of the built-in 24 analogue inputs, the 40x40 channels on the REAC port, the effect outputs, and USB memory recorder can be assigned to the 32 channels
Effect Types
Stereo Reverb, Reverb+gate, Delay X 2, Long Delay, Multi Tap Delay, Cross-modulation Delay, Stereo Chorus, Stereo Flanger, Stereo Phaser, Channel Strip X 2, Pitch Shifter X 2, GEQ, Stereo Flanger SBF-325, Phase Shifter SPH-323, Dimension D SDD-320
Built-in USB Memory Recorder for Uncompressed WAV Recording
Any two of the Main/8 AUX/4 Matrix outputs can be recorded as a 16-bit, uncompressed WAV file by inserting a USB memory stick in the back panel. WAV files stored in USB memory can be also be played from any input channel. In addition, the USB memory can be used for saving/loading configuration files on the M-200i
REAC Technology
The REAC (Roland Ethernet Audio Communication) protocol is a low-latency, high-quality 24-bit/ 96 kHz audio transport protocol used by the S-1608. It allows the Digital Snake's signal to be "split" to as many positions as required, such as monitor, broadcast, and recording splits using the S-4000D or any standard gigabit Ethernet switch (sold separately)
High-Resolution Sound Quality
By placing high-quality mic-pres on stage, the sound is amplified and converted at the closest point to the sound source, providing the best possible quality audio. The mic preamps can be controlled using the S-4000R (sold separately) or the free PC/Mac RCS software. By using Cat5e cable instead of large multi-core copper cable, the S-1608 Digital Snake system is immune to the "hums and buzzes" caused by electrical noise, ground issues, and the high-frequency losses inherent in analogue snakes
For Monitoring, Broadcasting, or Recording Applications
With the S-1608 Digital Snake system, the source audio can be digitally split using the S-4000-SP (sold separately) or any standard Ethernet switch. The loss-less digital splits can be routed over CAT5 cable to a monitoring console or a broadcast truck for recording
Specifications
Roland M-200i 32-Channel Live Digital V-Mixer Console | |
Processing | |
Channels | 32 |
Buses | Main L/R 8 Aux 4 Matrix |
Inputs/Outputs | Inputs: 24 (64 when using optional REAC devices) Outputs: 14 (Max 54 ports when using REAC Devices) |
Signal Processing | AD/DA Conversion: 24-bit Sample Rate: 48 kHz or 44.1 kHz |
Console Latency | Console: 2.0 ms (typ.) Sample Rate: 48 kHz Effects: No insert effects Total Latency of audio signal from M-200i's console inputs to M-200i's outputs. |
Network Latency | 2.5 ms (typ.) Sample Rate: 48 kHz Effects: No insert effects Total System Latency of audio signal from S-1608 inputs to outputs via M-200i's REAC ports. |
Connectors | |
Input/Output | Input Jacks (1 to 16): XLR-3-31 type (balanced, phantom power) Input Jacks (17 to 22): 1/4" (6.3 mm) phone jack type (balanced) Input Jacks (23 to 24): RCA phone type Assignable Output Jacks (1 to 6): XLR-3-32 type (balanced) Assignable Output Jacks (7 to 10): 1/4" (6.3 mm) phone jack type (balanced) Main Output Jacks (L,R): XLR-3-32 type (balanced) Headphones Jack: Stereo 1/4: (6.3 mm) phone type, 1/8" (3.5 mm) mini-jack type AES/EBU Out Jacks: XLR-3-32 type (110 ohms balanced) REAC port: RJ-45 EtherCon type RS-232C Connector: 9-pin D-sub type MIDI Connectors (Out/Through, In): 5-pin DIN type USB Memory Port: USB type A USB WLAN Adapter Port: USB type A USB Computer Port: USB type B Lan Port: RJ45 type DOC Cable Port: 10-pin mini DIN type DOC Cable Port: 10-pin mini DIN type DC In jack |
Grounding Terminal | XLR type: 1 GND, 2 HOT, 3: Cold Phantom power: DC+48V (unloaded maximum), 14 mA (maximum load, All XLR type inputs) |
Input/Output Characteristics | |
Frequency Response | Assignable Output Jacks (1 to 10): -2 dB/+0 dB (20 kOhms load, +4 dBu, typ.) Main Output Jacks (L, R): -2 dB / +0 dB (20 kOhms load, +4 dBu, typ.) Phones Jack: -3 dB / +0 dB (40 ohms load, 150 mW, typ.) Sample Rate: 48 kHz or 44.1 kHz Input Connector: Input 1 to 24 (Pad: ON, Input Sens: +4 dBu, 20 Hz to 20 kHz |
Total Harmonic Distortion (THD) + N | Assignable Output Jacks (1 to 10): 0.05 % (+4 dBu, typ.) Main Output Jacks (L, R): 0.05 % (+4 dBu, typ.) Phones Jack: 0.05 % (40 ohms load, 150 mW, typ.) Sample Rate: 48 kHz or 44.1 kHz Input Connector: Input 1 to 24 (Input sens: +4 dBu, 20 Hz to 20 kHz) |
Dynamic Range | Assignable Output Jacks (1 to 10): 102 dB (typ.) Main Output Jacks (L, R): 102 dB (typ.) Sample Rate: 48 kHz or 44.1 kHz Input Connector: Input 1 to 24 (Input sens: +4 dBu, 20 Hz to 20 kHz) |
Crosstalk @ 1 kHz | Input Jacks (1 to 24): -80 dB (Input sens: +4 dBu, IHF-A, typ.) Assignable Output Jacks (1 to 10): -88 dB (typ.) Main Output Jacks (L, R): -88 dB (typ.) Sample Rate: 48 Khz or 44.1 kHz |
Nominal Input Level | Variable: Input Jacks (1 to 16): -65 to +4 dBu Input Jacks (17 to 24): -28 to +4 dBu |
Input Impedance | Input Jacks (1 to 16): 14 kOhms Input Jacks (17 to 24): 10 kOhms |
Maximum Input Level | Non Clip: Input Jacks (1 to 24 +22 dBu (1 kHz, 20 kOhms load, typ.) |
Nominal Output Level | Assignable Output Jacks (1 to 10): +4 dBu (Load impedance: 10 kOhms, typ.) Main Output Jacks (L, R): +4 dBu (Load impedance: 10 kOhms, typ.) |
Output Impedance | Assignable Output Jacks (1 to 10): 600 ohms (typ.) Main Output Jacks (L, R): 600 ohms (typ.) Headphone jack: 49 ohms (typ.) |
Minimum Load Impedance | Phones Jack: 16 ohms |
Maximum Output Level | Non Clip: Assignable Output Jacks (1 to 10): +22 dBu (1 kHz, 10 kOhms load, typ.) Main Output Jacks (1 to 10): +22 dBu (1 kHz, 10 kOhms load, typ.) Headphones Jack: 150 mW + 150 mW (1 kHz, 40 ohms load, typ.) |
Residual Noise Level (IHF-A, typ.) | -88 dBu (All faders: Min) -80 dBu (Main Fader: Unity, Channel faders: Unity only one Input 1 channel, Preamp sens: Min) -61 dBu (Main Fader: Unity, Channel faders: Unity only one Input 1 channel, Preamp sens: Max) Input 150 ohms terminate Output Connector: Assignable Output Jacks (1 to 10), Main Output Jacks (L, R) Sample Rate: 48 kHz or 44.1 kHz |
Equivalent Input Noise Level | -126 dBu (Main Fader: Unity, Channel faders: Unity only one channel, Preamp sens: Max) Output Connector: Assignable Output Jacks (1 to 10), Main Output Jacks (L, R) Sample Rate: 48 kHz or 44.1 kHz |
Others | |
Display | Graphic LCD 132 x 64 dots with backlight |
Current Draw | 3.6 A |
Operation Temperature | 5 to 40°C |
Size & Weight | |
Dimensions (W x D x H) | 19.3 x 19.3 x 7.8" (49 x 49 x 20 cm) |
Weight | 9.8 kg |
Roland S-1608 16x8 Stage Unit Digital Snake System | |
Number of Channels | 16 in 8 out |
AD/DA Conversion | 24-Bit/96 kHz |
Frequency Response | -2 dB / +0 dB (@ +4 dBu, 20 Hz to 20 kHz) |
Total Harmonic Distortion (THD) + N | 0.05 % or less (Pad: On, Input Gain: +4 dBu, 22 Hz to 20 kHz) |
Dynamic Range | 110 dB |
Cross Talk | -80 dB or less (Input Gain: +4 dBu, typ.) |
Nominal Input Level | 65 to -10 dBu PAD Off: -45 to +10 dBu PAD On: 1 dB step, Max. +28 dBu) |
Pad | 20 dB On/Off |
Input Impedance | 14 kOhms |
Nominal Output Level | +4 dBu, max. +22 dBu |
Output Impedance | 600 ohms |
Recommended Load Impedance | 10 kOhms or greater |
Residual Noise | IHF-A, Typ: -80 dBu or less |
Equivalent Input Noise | -128 dB |
Network Latency | 375 ms when using REAC cable only (AD > REAC > DA Latency: approx 1.2 ms) |
Input Connectors | Analogue: 16 x XLR type, balanced, phantom power |
Output Connectors | Analogue: 8 x XLR type, balanced Digital Output Connector: 1 (optical type) REAC Connector: 1 RJ-45 EtherCon type Remote Connector: RS-232C, DB-9 type |
Indicators | 1 x Power 1 x REAC 1 x Remote 1 x Mute all outputs indicator |
Power Supply | AC 115 V, AC 117 V, AC 220 V, AC 230 V, AC 240 V (50/60 Hz) |
Power Consumption | 45 W |
Phantom Power | +48 V / 14 mA (each input, remote controlled) |
Operation Temperature | 0 to 40°C |
Dimensions (W x D x H) | 15.8 x 5.31 x 6.97" (401 x 135 x 177 mm) |
Weight | 5.5 kg |
In The Box
- M-200i 32-Channel Live Digital V-Mixer Console
- Dock cable
- Tablet Stand
- AC Adapter Power Cord
- S-1608 16x8 Stage Unit Digital Snake System
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Details
- Product: Roland M200i 32-Channel Digital Mixer with S-1608 Digital Snake Kit
- Manufacturer: Roland
- Model: M200I-EXP
- SKU: M200I-EXP
- RM Product #: 43235