Roland M5000C Digital Mixing System
Overview
Description
With a powerful engine built into a compact frame, the Roland M5000C Digital Mixing System is built for productions on the go.
128 freely definable audio paths unlock a completely new realm of flexibility
The console’s internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses.
This allows the user to essentially “build” a console structure based on the immediate needs of the application.
This not only makes for a console that can accommodate a diverse range of applications, but also one that accommodates high levels of flexibility for precise response to dynamically changing conditions from venue to venue.
Adaptable to numerous audio networks and I/O requirements
Expansion options including REAC, Dante, MADI, Waves SoundGrid, SDI, SFP and DVI open the door to endless configurations and applications.
Expansion slots also future proof the console by being ready to adapt to emerging standards.
Up to 300 inputs and 296 outputs (460 inputs and 456 outputs at 48kHz)* are managed in separate patchbays and can be used independently of the mixer.
Any input can be patched to any or multiple outputs, including control+
of the gain and phantom power, without having to be patched through a mixing channel.
A makes it possible to control an enormous number of input and output channels across multiple protocols and formats.
Expandable support for REAC, MADI, Dante, Waves SoundGrid, SDI and other future formatsand solutions
In addition to analog input and output ports, the console
is equipped with AES / EBU ports and REAC-A, REAC-B,
SPLIT/BACKUP ports on the rear panel. What's more, it provides
two slots for optional expansion cards such as REAC, Dante,
MADI, Waves SoundGrid, SDI, SFP and DVI.
Redundant transmission and power supply option
Redundant REAC lines can be created by connecting both a main
and backup line. If the main line experiences a problem,
switchover to the backup line takes place with no interruption in
audio. Similar audio redundancy is also possible for REAC, MADI,
or Dante cards installed in the expansion slots. In addition,
redundant power is made possible by connecting an optional
S-240P power unit to the DC input connector.
Meticulous attention to processing detail, maintaining smooth fidelity with all the warmth and sparkle of the original sound.
An uncompromising commitment to the purity and clarity of sound extends to every aspect of the internal architecture and processing.
As befits this flagship model, it starts with a high sampling rate of 96kHz. The discrete circuitry was precisely designed with careful component selection
and circuit architecture, separation of analog and digital sound modules, 72-bit linear summing circuit, and more.
We aimed for and have achieved unprecedented high sound quality through a rigorously uncompromising commitment to getting every detail right.
Key Features
- Configurable Architecture
- 128 audio paths assignable as channels, auxes, subgroups, matrices, mix minus, etc
- Easily adaptable to many applications including front-of-house, monitor position, or broadcast.
- Extensibility
- Unrestricted patching for up to 300 inputs/296 outputs(M-5000) and 300 inputs/288 outputs(M-5000C) at 96kHz(More at 48kHz)
- Support for 2 of the 7 available optional expansion cards
- Redundant audio transmission and optional redundant power supply
- High Resolution
- Outstanding 24-bit, 96kHz sound quality
- High-precision 72-bit linear summing circuitry
- High-end discrete preamps onboard and available in remote snake options
- Flexible Workflow
- 12" touch screen with integrated "touch and turn"
- 28 freely scrollable, isolatable, or assignable faders (20 with M-5000C)
- Dedicated, freely assignable user section of buttons and knobs
Specifications
| Roland M5000C Digital Mixing System | |
| Display | Graphic color LCD 800 x 600 dots (touch screen) Graphic organic light emitting display 256 x 64 dots: Fader Bank Display x 5, User Assignable Display x 1 |
| Power Consumption | 180 W |
| Dimensions | 740 (W) x 725 (D) x 346 (H) mm |
| Weight | 32 kg |
| Operation Temperature | +5 to +40 degrees Celsius |
| Processing | |
| Mixing Channels | Up to 128 CH (combination of INPUT CHANNEL, MAIN, SUBGROUP, AUX, MIX-MINUS, MATRIX, MONITOR, COMM, OSC, HEADPHONES) |
| Inputs | Max 300 ports (96 kHz), Max 460 ports (48 kHz / 44.1 kHz) CONSOLE: 16 .AES/EBU: 4 .REAC: 40 x 2 EXPANSION SLOT: 80 x 2 (96 kHz), 160 x 2 (48 kHz / 44.1 kHz) USB AUDIO: 16 .DOCK: 2 .USB RECORDER: 2 FX 1L-8R: 16 .TALKBACK: 2 .OSC: 2 |
| Outputs | Max 288 ports (96 kHz), Max 448 ports (48 kHz / 44.1 kHz) CONSOLE: 8 AES/EBU: 4 REAC: 40 x 2 USB AUDIO: 16 EXPANSION SLOT: 80 x 2 (96 kHz), 160 x 2 (48 kHz / 44.1 kHz) USB AUDIO: 16 DOCK: 2 USB RECORDER: 2 FX 1L-8R: 16 |
| Internal Processing | 72 bits (fixed point, bus summing) |
| Signal Processing | AD/DA Conversion: 24 bit Sampling Rate: 96 kHz, 48 kHz, 44.1 kHz |
| Console Latency | Network Latency: 1.6 ms (typ.) Console Latency: 1.1 ms (typ.) Network Latency: Total system latency of audio signal from S-2416 inputs to outputs via M-5000's REAC ports (A or B) Console Latency: Total system latency of audio signal from console inputs to console outputs Sampling rate: 96 kHz Effect: No insert effects When a REAC Splitter S-4000D or a switching hub is used in-line with REAC cables, the network latency will increase by the amount of processing delay introduced by the splitting device itself. The actual delay is dependent upon the specifications of the splitting device, though the maximum delay amount for a single splitting device should be about 200 microseconds. |
| Connectors | |
| Connectors | INPUT jacks (1 - 16): XLR-3-31 type (balanced, phantom power) TALKBACK MIC 2 jack: XLR-3-31 type (balanced, phantom power) AES/EBU IN jacks (1/2, 3/4): XLR-3-31 type PHONES 1 jack: Stereo 1/4 inch phone type PHONES 2 jack: Stereo miniature phone type AES/EBU OUT jacks (1/2, 3/4): XLR-3-32 type REAC ports (A, B, SPLIT/BACKUP): RJ-45 EtherCon type, REAC SPLIT/BACKUP port supports REAC EMBEDDED POWER WORD CLOCK connector (IN, OUT): BNC type RS-232C connector: DB-9 type MIDI connector (OUT/THRU, IN) USB port (MEMORY): USB type A USB WLAN ADAPTOR port: USB type A USB COMPUTER port: USB type B LAN port: RJ45 type DOCK CABLE port: 10-pin mini DIN type GP I/O port: DB-25 type FOOT SWITCH jacks (1, 2): 1/4-inch TRS phone type V/500 mA EXT.POWER DC IN jack: XLR-4-32 type XLR type: 1 GND, 2 HOT, 3 COLD Phantom power: DC +48 V (unloaded maximum), 14 mA (maximum load) (All XLR type inputs) OUTPUT jacks (1 - 8) : XLR-3-32type (balanced) LAMP jacks: XLR-4-31 type × 1, LAMP power DC+12 V/500 mA |
| Input/Output Characteristics | |
| Frequency Response (typ. *1 *2) | PHONES jacks (1, 2): -2 dB / +0 dB (32 ohms load, 150 mW, 20 Hz to 40 kHz) OUTPUT jacks (1 - 8): -2 dB / +0 dB (20k ohms load, +4 dBu, 20 Hz to 40 kHz) |
| Total Harmonic Distortion + Noise (typ. *1 *2) | PHONES jacks (1, 2): (1, 2): 0.01 % (32 ohms load, 150 mW) OUTPUT jacks (1 - 8): 0.007 % (+4 dBu) |
| Dynamic Range (IHF-A, typ. *1 *2) | OUTPUT jacks (1 - 8): 102 dB |
| Crosstalk @ 1 kHz (IHF-A, typ. *1 *2) | INPUT jacks (1 - 16): -100 dB OUTPUT jacks (1 - 8): -109 dB |
| Input Impedance | INPUT jacks (1 - 16): 7 k ohms TALKBACK MIC 2 jack: 4 k ohms (Phantom: ON) |
| Nominal Input Level (Variable, typ.) | INPUT jacks (1 - 16): -65 to -10 dBu (Pad: OFF), -45 to +10 dBu (Pad: ON) TALKBACK MIC 2 jack: -65 to -10 dBu |
| Non Clip Maximum Input level (1 kHz, typ.) | INPUT jacks (1 - 16): +8 dBu (Pad: OFF), +28 dBu (Pad: ON) TALKBACK MIC 2 jack: +8 dBu |
| Output Impedance (typ.) | PHONES jacks (1, 2): 45 ohms OUTPUT jacks (1 - 8): 600 ohms |
| Recommended Load Impedance | PHONES jacks (1, 2): 32 ohms or greater OUTPUT jacks (1 - 8): 10 k ohms or greater |
| Minimum Load Impedance | PHONES jacks (1, 2): 16 ohms |
| Nominal Output Level (ty.) | OUTPUT jacks (1 - 8): +4 dBu (Load impedance: 10 k ohms) |
| Non Clip Maximum Output level (1 kHz, typ.) | PHONES jacks (1, 2): 500 mW + 500 mW (40 ohms load) OUTPUT jacks (1 - 8): +22 dBu (10 k ohms load) |
| Residual Noise Level (IHF-A, typ. *1) | -89 dBu (All faders: Min) 82 dBu (Main Fader: Unity, Channel faders: Unity only one CONSOLE INPUT channel, Preamp Gain: Min) 50 dBu (Main Fader: Unity, Channel faders: Unity only one CONSOLE INPUT channel, Preamp Gain: Max) Input 150 ohms terminate Output Connector: OUTPUT jacks (M-5000: 1 - 16, M-5000C: 1 - 8) |
| Equivalent Input Noise Level (E.I.N.) (IHF-A, typ. *1) | 127 dBu (Main Fader: Unity, Channel faders: Unity only one CONSOLE INPUT channel, Preamp Gain: Max) Output Connector: OUTPUT jacks 1 - 8 |
*1 Sampling Rate: 96 kHz
*2 Input Connector: INPUT Jacks (M-5000: 1 - 16, M-5000C: 1 - 8) (Pad: ON, Input Gain: +4 dBu, 20 Hz to 40 kHz)
In The Box
- Roland M5000C Digital Mixing System
Reviews
(no ratings yet)Give it a quick rating:
Thanks for your rating!
Write a review
Details
- Product: Roland M5000C Digital Mixing System
- Manufacturer: Roland
- Model: M5000C
- SKU: M5000C
- RM Product #: 57972
Recently Viewed
View AllRoland M5000C Digital Mixing System
