Sony Venice 2 with 8K Sensor
Features
- New 8.6K Sensor
- Maximum Resolution of 8640 x 5760
- 36x24mm Full-Frame Sensor for Cinema
- For Handheld or Mounted Shooting
- Durable, Compact Build
Description
Paired with a newly-developed 8.6K (8640 x 5760) full-frame CMOS image sensor, the Sony Venice 2 with 8K Sensor offers excellent image quality with 16 stops of total latitude to capture beautiful images with excellent colour separation and shadow detail. The camera also inherits its colour science from the original VENICE, which is highly regarded for its natural skin tones. The VENICE 2 8K CineAlta camera has a unique dual base ISO of 800/3200 which allows filmmakers to capture incredibly clean, film-like images under a wide range of lighting conditions. It supports everything from full-frame, full-frame anamorphic to Super35, all at a minimum of 4K resolution, resulting in an outstanding and versatile camera system for cinematographers and productions.
To illustrate the strength of the VENICE 2 and its new 8.6K sensor, Sony worked with the industry's top cinematographers to test the camera’s image quality on a few separate film shoots without using any professional movie lighting.
Award-winning cinematographer Robert McLachlan ASC, CSC, who worked on highly acclaimed productions including Game of Thrones (for which he received two Emmy nominations), Westworld, and Lovecraft Country, tested and filmed with the new 8.6K full-frame VENICE 2 in two countries and offered his reaction:
"I really wish we'd had a large format, 8.6K sensor like Sony VENICE 2 on my past work. It would have made it feel even more epic and, at the same time, more engaging, thanks to the increased resolution, richness, and dimensionality. The increased speed, cleaner highlights, and shadows together with the potential for super-shallow depth of field would have been a huge asset."
Key Features:
Dual Base ISO
VENICE 2 features dual base ISO, meaning that the 8K sensor offers Base ISO3200 in addition to Base ISO800.
Interchangeable Image Sensors
VENICE 2 allows you to easily remove and replace the image sensor, swapping between the 8.6K and original 6K image sensor as required. This also means a 6K sensor can be swapped between VENICE and original VENICE 2.
Phenomenal Latitude
VENICE 2’s 8K sensor has an exceptional 16 stops of latitude, it can deliver phenomenal images with very little noise, in conditions that range from searing sunlight to almost no light. VENICE 2 also excels at High Dynamic Range imaging, allowing for unprecedented creative freedom in grading.
More Colours for More Expression
VENICE 2 can exceed the BT.2020 colour space, with a colour range wider than DCI-P3. This means it can beautifully reproduce the true colour of the scene in front of your lens. The camera also provides a broad palette in the grading suite, using the established workflow of Sony’s S-Log3 and Ultra-wide Colour space, S-Gamut3. Plus, VENICE 2’s 6K and 8K sensors match colours almost perfectly, making your grading experience even better.
High Frame Rate
With the 8K sensor, VENICE 2 can achieve up to 60fps at 8.2K and 90fps at 5.8K.
Fast Shutter
Jello effect is something we don’t need when filming. VENICE 2 has high speed readout sensors which minimizes the jello effect that are typical with CMOS sensors.
Forward Development
Sony is committed to extending the capability of VENICE 2 with powerful system upgrades based on ongoing discussions with filmmakers.
Full-Frame Full Width 36 mm 8K
In full-frame, you can use the full width of the sensor (8640 pixels) for widescreen spherical 2.39:1 or Large Format Scope. Full-Frame can be used creatively in a number of ways – for example, to allow for extra shallow depth of field or super-wide shooting.
Super35 Full Height 2.0x Squeeze Anamorphic
For anamorphic shooting and production, Super35 full height 2x squeeze anamorphic is supported.
Anamorphic Look
VENICE 2’s support for anamorphic lenses allows for the capture of breathtakingly beautiful images. When combined with the ability to shoot 4:3 and 6:5 aspect ratio at high horizontal resolutions, this can give users stunning lens flare, bokeh and emotional impact. The 8K sensor can shoot 5.8K with an aspect ratio of 6:5.
Super35 17:9 and 16:9
These popular imager sizes have native support in VENICE 2, and the 8K sensor makes it possible to capture 5.8K footage in these modes. Current Super35mm PL mount lenses can be used as well.
High Performance, Proven Recording Formats
VENICE 2 offers complete production flexibility. The camera supports internal recording of X-OCN or 4K ProRes recording onto AXS memory cards, removing the need to attach additional recording hardware.
Internal 16-bit X-OCN and 4K ProRes Recording in a Compact Body
New for VENICE 2, cinematographers and colorists can unlock the incredible creative possibilities of 16-bit X-OCN recording, without an external recorder. Users can enjoy the full dynamic range and color reproduction of the image sensor, capturing in 4K ProRes 4444 and 422 HQ. With such a compact design, and no external recorder, set-up is faster, simpler and easier, particularly for gimbals, Steadicams and drones.
Ethernet and WiFi Control
Using WiFi or an Ethernet connection, LUTs, CDLs and ART files can all be imported directly onto cameras, so there’s no need to physically upload them using SD cards. CDLs can then be controlled and adjusted via a web interface and embedded in clip metadata.
Paint Control from RM/RCP Units
VENICE 2 supports control from an RM/RCP panel that can be used with broadcast camcorders and system cameras. When connected, ITU-R Rec. 2020 colour space and HLG are selectable and adjustment of various paint parameters is supported.
Zoom to Fit for Monitoring
Full-frame 3:2 recording used to mean that users could not see their image without black bars at the sides of their monitors. Our Zoom to Fit function allows VENICE 2 to record in Full-frame 3:2 and deliver a 17:9/16:9 monitor output simultaneously, so directors, cinematographers and crew have a bigger picture for on-set monitoring.
4K LUTs for Monitors
For those who want to see on-set images that are closer to the final look of their project, VENICE 2 can apply 4K or HD LUTs to its monitor output. HD output also benefits from improved LUT processing, with richer images and colour gradation.
Technicolor Look Collection
The Look Collection for VENICE allows anyone to add the artistry and experience of Technicolor colorists to their VENICE productions. Free downloads of LUT (Look Up Table) files can be used for on-set monitoring, as well as be applied in post-production. Also included are .ART files, Sony’s new proprietary file format, which offers enhanced performance compared to 3D LUTs.
Powerful Tools for Colour Management and On-Set Workflow
The RAW Viewer are free software downloads for colour grading and transcoding capabilities that work in close alignment with third-party colour grading applications and also with non-linear editing systems. *Support for 8K will be available in February 2022.
Intuitive and Familiar On-Set Operation
VENICE 2 has control displays on both sides of the camera, with the same layout as VENICE. A 3-inch LCD display provides the camera assistant with fast access to settings during shooting, while on the other side, the camera operator’s OLED mini display provides easy control of commonly accessed features, such as ND filter, shutter, FPS, White Balance and Exposure Index. Based on user feedback, the menu interface has been upgraded for even easier on-set operation. Many of VENICE 2’s connectors have also changed location and type, such as the Lemo 12V out and the Ethernet connector moving to the camera assistant’s side.
8-step Mechanical ND Filters
VENICE 2 follows the world first of VENICE, with a servo-controlled 8-step Mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to 2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing.
Engineered to Survive
VENICE 2’s chassis is engineered to be amazingly robust and has been rigorously tested in the harshest conditions as well as main frame structure enabled to design the body to be more durable. Its ventilation system is completely isolated from all electronic components to prevent ingress of dust, sand and splash. The silent-running fan can be cleaned or even swapped out on set quickly and easily.
Lever Lock Type E-mount
E-mount offers unsurpassed compatibility with Sony lenses. E-mount (lever lock type) gives users the ability to change lenses by rotating the locking collar rather than the lens itself, which means that in most cases lens support rigs don’t need to be removed, saves time during a production.
PL Lens Mount
VENICE 2 comes with the industry-standard PL lens mount and is compatible with all Super35 and full-frame PL lenses – spherical and anamorphic. The lens mount includes contacts that support Cooke/i Technology, and lens information is recorded as metadata, frame by frame. We have also added support for ZEISS eXtended Data.
Specifications
8K Sensor Modes | |||||
Software License | Imager mode | Resolution | W X H (mm) | Project Frame Rate | Select FPS |
License not Required* | 5.4K 16:9 | 5752 x 3056 | 22.6 x 12.7 | 23, 24, 25, 29, 50, 59 | 1**-60, 66, 72, 75, 88, 90 |
License not Required* | 5.8K 17:9 | 5434 x 3056 | 24.1 x 12.7 | 23, 24, 25, 29, 47, 50, 59 | 1**-60, 66, 72, 75, 88, 90 |
Anamorphic License | 5.8K 6:5 | 5792 x 4854 | 24.1 x 20.2 | 23, 24, 25, 29, 47 | 1**-48 |
Full-Frame License* | 7.6K 16:9 | 7680 x 4320 | 32.0 x 18.0 | 23, 24, 25, 29, 50, 59 | 1**-60 |
Full-Frame License* | 8.2K 17:9 | 8192 x 4320 | 34.1 x 18.0 | 23, 24, 25, 29, 47, 50, 59 | 1**-60 |
Full-Frame License* | 8.6K 3:2 | 8640 x 5760 | 35.9 x 24.0 | 23, 24, 25, 29 | 1**-30 |
* The Anamorphic license is required to enable ratio setting, other than Off(1.0x), for the de-squeeze function.** In high base ISO 3200, 1-7FPS is not available. |
General | |
Power Requirements | DC12V (11.0 to 17.0V)DC24V (22.0 to 32.0V) |
Power Consumption (Condition: 12 V DC Input, Temp 25 °C, without accessories) | VENICE 2 with 8.6K image sensor (MPC-3628): Approx. 76 W(When recording X-OCN XT, 8.6K 3:2, 24FPS)VENICE 2 with 6K image sensor (MPC-3626): Approx. 73 W(When recording X-OCN XT, 6K 3:2, 24FPS) |
Operating Temperature | 0 to 40 °C |
Storage Temperature | -20 °C to 60 °C |
Mass (without lens, handle, VF attachment and accessories) | VENICE 2 with 8.6K image sensor (MPC-3628): Approx: 4.3 kg (9 lb 6.6 oz)VENICE 2 with 6K image sensor (MPC-3626): Approx: 4.2 kg (9 lb 4.2 oz) |
Dimensions | 152 x 158 x 250 mm (WxHxD, excluding protrusions) |
Camera | |
Imaging Device | 35 mm full size, single-chip CMOS imager sensor |
Imaging Device Pixel Count | VENICE 2 with 8.6K image sensor (MPC-3628): 50.0M (Total)VENICE 2 with 6K image sensor (MPC-3626): 24.8M (Total) |
Built-In ND Filters | Clear, 0.3 (1/2), 0.6 (1/4), 0.9 (1/8), 1.2 (1/16), 1.5 (1/32), 1.8 (1/64), 2.1 (1/128), 2.4 (1/256) |
ISO Sensitivity | VENICE 2 with 8.6K image sensor (MPC-3628): ISO800, ISO3200 (Dual Base ISO)VENICE 2 with 6K image sensor (MPC-3626): ISO500, ISO2500 (Dual Base ISO) |
Lens Mount | PL MountE-mount (lever lock type, without supplied PL lens mount adaptor) |
Latitude | VENICE 2 with 8.6K image sensor (MPC-3628): 16 StopVENICE 2 with 6K image sensor (MPC-3626): 15+ Stop |
Recording | |
Recording Format (X-OCN) | VENICE 2 with 8.6K image sensor (MPC-3628):X-OCN XT/ST/LT:8.6K 3:2 (8640 x 5760):23.98p, 24p, 25p, 29.97p8.2K 17:9 (8192 x 4320) :23.98p, 24p, 25p, 29.97p, 47.95p, 50p*, 59.94p*7.6K 16:9 (7680 x 4320) :23.98p, 24p, 25p, 29.97p, 50p*, 59.94p*5.8K 6:5 (5792 x 4854) : 23.98p, 24p, 25p, 29.97p, 47.95p5.8K 17:9 (5792 x 3056) :23.98p, 24p, 25p, 29.97p, 47.95p, 50p, 59.94p5.5K 16:9 (5452 x 3056) :23.98p, 24p, 25p, 29.97p, 50p, 59.94pVENICE 2 with 6K image sensor (MPC-3626):X-OCN XT/ST/LT:6K 3:2 (6048 x 4032): 23.98p, 24p, 25p, 29.97p, 47.95p, 50p, 59.94p6K 2.39:1 (6048 x 2534): 23.98p, 24p, 25p, 29.97p, 47.95p, 50p, 59.94p6K 1.85:1 (6054 x 3272): 23.98p, 24p, 25p, 29.97p, 47.95p, 50p, 59.94p6K 17:9 (6054 x 3192): 23.98p, 24p, 25p, 29.97p, 47.95p, 50p, 59.94p5.7K 16:9 (5674 x 3192): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p4K 6:5 (4096 x 3432): 23.98p, 24p, 25p, 29.97p, 47.95p, 50p, 59.94p4K 4:3 (4096 x 3024): 23.98p, 24p, 25p, 29.97p, 47.95p, 50p, 59.94p4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 47.95p, 50p, 59.94p4K 2.39:1 (4096 x 1716): 23.98p, 24p, 25p, 29.97p, 47.95p, 50p, 59.94p3.8K 16:9 (3840 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p |
Recording Format (ProRes) | ProRes 4444/ProRes 422 HQ4K (4096x2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94pQFHD (3160x2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p |
Recording Format (Audio) | LPCM 4ch, 24-bit 48-kHz |
Inputs/Outputs | |
DC Input | XLR-type 4 pin (male) |
Battery DC Input | Square-shaped 5 pin connector |
DC Output | 12 V: Lemo 2 pin x124 V: Fischer 3 pin x2 |
SDI Output | BNC x4, (12G, 6G, 3G, 1.5G-SDI) |
HD MONI Output | BNC x1 (3G, 1.5G-SDI) |
HDMI Output | Type A x1 |
VF | LEMO 26 pin |
Audio Input | XLR-type 5 pin (female) x1 (LINE/AES/EBU/MIC/MIC+48 V selectable)Internal mic x1 |
Timecode Input | BNC x1 |
Genlock Input | BNC x1 |
AUX | BNC x1 (Timecode Output) |
Remote | 8 pin x1 |
Lens | 12 pin x1 |
Lens Mount Hot Shoe | 4 pin x2, supporting Cooke /i Intelligent Electronic Lens System and ZEISS eXtended Data |
Network | RJ-45 type x1, 10BASE-T, 100BASE-TX |
USB | USB host, type-A x1 |
Headphone Output | Stereo mini jack x1 |
Speaker Output | Monoral |
Media type | AXS Memory A-Series slot x2SD card slot x1 |
* X-OCN XT is not supported** CBKZ-3620A/AM/AW is required*** CBKZ-3620F/FM/FW is required |
In The Box
- Sony Venice 2 with 8K Sensor
- PL Lens Mount
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Details
- Product: Sony Venice 2 with 8K Sensor
- Manufacturer: Sony
- Model: MPC-3628
- SKU: MPC-3628
- RM Product #: 91818