Blackmagic PYXIS 6K Cinema Box Camera (ARRI PL)

Product #113551 | SKU CINECAMCPYXH60LFPL | Blackmagic
Pre-Order Expected to Ship June what does this mean?
PRE-ORDER
Our Price $4,999.00 AUD
A deposit of $500.00 is required for this pre-order.
Pre-Order Expected to Ship June what does this mean?
PRE-ORDER
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Shipping & Availability
Expected to Ship June. Deliver to New South Wales for $5.90 Change location
Click & Collect Availability
Sydney Out of stock. Expected to Ship June
Click & Collect

Features

  • Full Frame 6K Sensor
  • Up to 6K36 fps Open Gate / 6K Anamorphic
  • 13-Stop Dynamic Range, Dual-Native ISO
  • ARRI PL Lens Mount
  • 4" HDR LCD Touchscreen
  • Records Blackmagic RAW and H.264 Proxies

Description

NOTE: This product only includes the camera body.

Introducing the next generation customisable cinema camera! The Blackmagic PYXIS 6K Cinema Box Camera is a high end digital film camera that produces precise skin tones and rich organic colours. It features an extremely versatile design that lets you build the perfect camera rig for your production! You get a full frame 36 x 24mm 6K sensor with wide dynamic range with a built in optical low pass filter that's been designed to perfectly match the sensor. Plus there are 3 models available in either EF, PL or L-Mount. You also get 2 x CFexpress media recorders and Ethernet for sharing media to Blackmagic Cloud! It even records both 12-bit Blackmagic RAW and extremely small H.264 proxies files at the same time!

With multiple mounting points and accessory side plates, it’s easy to configure Blackmagic PYXIS into the camera you need it to be! PYXIS’ compact body is made from precision CNC machined aerospace aluminum, which means it is lightweight yet very strong. You can easily mount it on a range of camera rigs such as cranes, gimbals or drones! In addition to the multiple 1/4″ and 3/8″ thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend your ability to mount accessories such as handles, microphones or even SSDs. All this means you can build the perfect camera for the any production that’s both rugged and reliable!

Blackmagic PYXIS has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colors, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video!

Blackmagic PYXIS features a massive full frame sensor with a native resolution of 6048 x 4032. That's almost three times larger than a Super 35 sensor and allows you to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus you can shoot up to 36 fps at full sensor resolution or 120 fps windowed. This amazing sensor combined with Blackmagic color science means you get the same imaging technology as expensive digital cinema cameras.

The large full frame sensor in Blackmagic PYXIS lets you work in a variety of film formats and aspect ratios without sacrificing quality! Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality!

Specifications

Camera Features
Effective Sensor Size 36mm x 24mm (Full Frame)
Lens Mount PL Mount
Lens Control Iris and focus on supported lenses.
Dynamic Range 13 Stops.
Dual Native ISO 400 and 3200
Shooting Resolutions 6048 x 4032 (Open Gate 3:2) up to 36 fps
4832 x 4032 (Anamorphic 6:5) up to 36 fps
6048 x 3200 (6K DCI 17:9) up to 48 fps
6048 x 2520 (6K 2.4:1) up to 60 fps
4096 x 3072 (Super 35 4:3) up to 50 fps
4096 x 2160 (4K DCI 17:9) up to 60 fps
2112 x 1184 (Super 16 16:9) up to 100 fps
1920 x 1080 (1080 HD 16:9) up to 120 fps
Frame Rates Maximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Off-speed frame rates up to 60 fps in 6K 2.4:1 and 4K DCI 17:9, 100 fps in Super 16 16:9 and 120 fps in 1080HD.
Focus Auto focus available using compatible lenses.
Iris Control Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses.
Screen Dimensions 4” 1920 x 1080
Screen Brightness 1500 nits
Screen Type LCD capacitive touchscreen
Metadata Support Automatically populated lens data from electronic L-Mount lenses. Automatic recording of camera settings, motion sensor data plus slate data such as project, scene number, take and special notes. A 3D LUT can also be embedded in metadata of Blackmagic RAW files.
Controls Touchscreen menus on 4 inch screen. 1 x Power Switch, 1 x Record Button, 1 x Stills Button, 1 x Scroll Wheel with push, 1 x ISO Button, 1 x White Balance, 1 x Shutter Button, 3 x software configurable Fn buttons, 1 x Focus Button, 1 x IRIS Button, 1 x High Frame Rate (HFR) Button, 1 x Zoom Button, 1 x Menu Button, 1 x Playback Button, 1 x Next Clip Button, 1 x Previous Clip Button, 1 x Lock Switch.
Timecode Clock Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
Connections
Total Video Inputs None
Total Video Outputs 1 x 12G-SDI up to 2160p60
1 x Viewfinder USB-C with power, data, video and locking connector.
Analog Audio Inputs 1 x mini XLR analog audio in, switchable between mic with phantom power support and line level (up to +14dBu).
1 x 3.5mm Stereo Input.
Analog Audio Outputs 1 x 3.5mm headphone jack.
Reference Inputs Tri-Sync/Black Burst and Timecode.
Computer Interface USB Type-C for external drive recording, PTP camera control and software updates.
Ethernet 1 x 1Gb/s RJ‑45 connector supporting 10/100/1000 BASE-T.
Audio
Microphone Integrated stereo microphone.
Built in Speaker 1 x mono speaker.
Media
Media 2 x CFexpress Type B card slot, 1 x USB-C 3.1 Gen 1 expansion port for external media for Blackmagic RAW and H.264 Proxy Recording.
Media Format Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.
Supported Codecs
Codecs Blackmagic RAW Constant Bitrate 3:1, Blackmagic RAW Constant Bitrate 5:1, Blackmagic RAW Constant Bitrate 8:1, Blackmagic RAW Constant Bitrate 12:1, Blackmagic RAW Constant Quality Q0, Blackmagic RAW Constant Quality Q1, Blackmagic RAW Constant Quality Q3, Blackmagic RAW Constant Quality Q5, H.264 Proxy in 1920 x 1080, 8-bit 4:2:0
Control
External Control Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod handles.
iPad control, Bluetooth control, USB PTP camera control. External control of some camera settings, focus, iris and zoom with compatible lenses. Camera Control REST API over Ethernet for external control via HTTP when used with REST client applications such as Postman.
Storage Features
Storage Type 1 x CFexpress Type B
1 x high speed USB-C expansion port for external media.
Recording Formats Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at6048 x 4032, 4832 x 4032, 6048 x 3200, 6048 x 2520, 4096 x 3072, 4096 x 2160, 2112 x 1184 and1920 x 1080 with film, extended video, video dynamic range or custom 3D LUT embedded in metadata.
Supports recording optional portrait mode metadata for all resolutions in Blackmagic RAW and H.264 Proxies.
Storage Rates Storage rates based on 30 frames per second.
6048 x 4032 (6K Open Gate 3:2)
Blackmagic RAW 3:1 - 370 MB/s
Blackmagic RAW 5:1 - 223 MB/s
Blackmagic RAW 8:1 - 140 MB/s
Blackmagic RAW 12:1 - 94 MB/s
Blackmagic RAW Q0 - 278 to 555 MB/s
Blackmagic RAW Q1 - 186 to 444 MB/s
Blackmagic RAW Q3 - 124 to 318 MB/s
Blackmagic RAW Q5 - 75 to 186 MB/s
4832 x 4032 (Anamorphic 6:5)
Blackmagic RAW 3:1 - 297 MB/s
Blackmagic RAW 5:1 - 179 MB/s
Blackmagic RAW 8:1 - 112 MB/s
Blackmagic RAW 12:1 - 75 MB/s
Blackmagic RAW Q0 - 223 to 445 MB/s
Blackmagic RAW Q1 - 149 to 356 MB/s
Blackmagic RAW Q3 - 100 to 255 MB/s
Blackmagic RAW Q5 - 60 to 149 MB/s
6048 x 3200 (6K DCI 17:9)
Blackmagic RAW 3:1 - 295 MB/s
Blackmagic RAW 5:1 - 177 MB/s
Blackmagic RAW 8:1 - 111 MB/s
Blackmagic RAW 12:1 - 75 MB/s
Blackmagic RAW Q0 - 221 to 441 MB/s
Blackmagic RAW Q1 - 148 to 353 MB/s
Blackmagic RAW Q3 - 99 to 253 MB/s
Blackmagic RAW Q5 - 60 to 148 MB/s
6048 x 2520 (6K 2.4:1)
Blackmagic RAW 3:1 - 233 MB/s
Blackmagic RAW 5:1 - 140 MB/s
Blackmagic RAW 8:1 - 88 MB/s
Blackmagic RAW 12:1 - 59 MB/s
Blackmagic RAW Q0 - 175 to 348 MB/s
Blackmagic RAW Q1 - 117 to 279 MB/s
Blackmagic RAW Q3 - 78 to 199 MB/s
Blackmagic RAW Q5 - 47 to 117 MB/s
4096 x 3072 (Super 35 4:3)
Blackmagic RAW 3:1 - 192 MB/s
Blackmagic RAW 5:1 - 116 MB/s
Blackmagic RAW 8:1 - 73 MB/s
Blackmagic RAW 12:1 - 49 MB/s
Blackmagic RAW Q0 - 145 to 288 MB/s
Blackmagic RAW Q1 - 97 to 231 MB/s
Blackmagic RAW Q3 - 65 to 165 MB/s
Blackmagic RAW Q5 - 39 to 97 MB/s
4096 x 2160 (4K DCI 17:9)
Blackmagic RAW 3:1 - 136 MB/s
Blackmagic RAW 5:1 - 82 MB/s
Blackmagic RAW 8:1 - 52 MB/s
Blackmagic RAW 12:1 - 35 MB/s
Blackmagic RAW Q0 - 102 to 203 MB/s
Blackmagic RAW Q1 - 69 to 163 MB/s
Blackmagic RAW Q3 - 46 to 117 MB/s
Blackmagic RAW Q5 - 28 to 69 MB/s
2112 x 1184 (Super 16 16:9)
Blackmagic RAW 3:1 - 40 MB/s
Blackmagic RAW 5:1 - 24 MB/s
Blackmagic RAW 8:1 - 16 MB/s
Blackmagic RAW 12:1 - 11 MB/s
Blackmagic RAW Q0 - 30 to 59 MB/s
Blackmagic RAW Q1 - 21 to 48 MB/s
Blackmagic RAW Q3 - 14 to 34 MB/s
Blackmagic RAW Q5 - 9 to 21 MB/s
1920 x 1080
Blackmagic RAW 3:1 - 33 MB/s
Blackmagic RAW 5:1 - 20 MB/s
Blackmagic RAW 8:1 - 13 MB/s
Blackmagic RAW 12:1 - 9 MB/s
Blackmagic RAW Q0 - 25 to 49 MB/s
Blackmagic RAW Q1 - 17 to 40 MB/s
Blackmagic RAW Q3 - 12 to 29 MB/s
Blackmagic RAW Q5 - 8 to 17 MB/s
Constant Quality storage rates quoted are indicative only.
Actual storage rates are entirely dependent on image subject matter.
Software
Operating Systems Mac 13.0 Ventura,Mac 14.0 Sonoma or later.
Windows 10 and 11.
Power Requirements
Power Supply 1 x External 12V power supply.
External Power Input 1 x 2‑pin locking connector.
Battery Type BP-U
Power 11-19.5V
Environmental
Operating Temperature 0°to 40°C (32° to 104°F)
Storage Temperature -20°to 45°C (-4° to 113°F)
Relative Humidity 0% to 90% non-condensing

In The Box

  • Blackmagic PYXIS 6K Cinema Box Camera (ARRI PL)
  • PYXIS Standard Mounting Plate
  • PYXIS SSD Mounting Plate
  • Power Supply with International Adapters (60W)
  • DaVinci Resolve Studio Activation Key

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Details

  • Product: Blackmagic PYXIS 6K Cinema Box Camera (ARRI PL)
  • Manufacturer: Blackmagic
  • Model: PYXIS 6K
  • SKU: CINECAMCPYXH60LFPL
  • RM Product #: 113551

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