Blackmagic URSA Mini Pro 12K OLPF Digital Film Camera
Features
- Digital Film, Extreme Resolution
- Cinematic Super 35 12K Sensor
- Shoot in 12K, Edit on a Laptop
- Optimised for Fast Flexible Post Production
- Generation 5 Color Science
- High Band Width Recording
Description
Introducing the World’s Most Advanced Digital Film Camera!
The Blackmagic URSA Mini Pro 12K OLPF Digital Film Camera is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range, built into the award winning URSA Mini body. The combination of 80 megapixels per frame, new color science and the flexibility of Blackmagic RAW makes working with 12K a reality. Oversampling from 12K gives you the best 8K and 4K images with the subtle skin tones and extraordinary detail of high end still cameras. You can shoot at 60 fps in 12K, 120 fps in 8K and up to 240 fps in 4K Super 16. URSA Mini Pro 12K features an interchangeable PL mount, as well as built in ND filters, dual CFast and UHS-II SD card recorders, a SuperSpeed USB-C expansion port and more. DaVinci Resolve Studio is included for creative control through post from editing to color, VFX and more!
Digital Film, Extreme Resolution
URSA Mini Pro 12K’s extreme resolution goes well beyond traditional motion picture film! You get the benefits of shooting with film including incredible detail, wide dynamic range and rich, deep color. Perfect for feature films, episodic television and immersive, large format IMAX. The incredible definition around objects makes it ideal for working with green screen and VFX including compositing live action and CGI. Super sampling at 12K means you not only get better color and resolution at 8K, but also a smoothness that comes from making aliasing invisible. This new generation of digital film technology ushers in an analog style purity and subtlety to deliver a better than film experience.
Cinematic Super 35 12K Sensor
The Blackmagic URSA Mini Pro 12K features a revolutionary new sensor with a native resolution of 12,288 x 6480, which is an incredible 80 megapixels per frame! The Super 35 sensor has a superb 14 stops of dynamic range and a native ISO of 800. The new 12K sensor has equal amounts of red, green and blue pixels and is optimised for images at multiple resolutions. You can shoot 12K at 60 fps or use in-sensor scaling to allow 8K or 4K RAW at up to 120 fps without cropping or changing your field of view. URSA Mini Pro’s interchangeable lens mount lets you choose from the widest range of vintage and modern cinema lenses, so you can capture every ounce of character and detail from your favourite optics.
Shoot in 12K, Edit on a Laptop
The URSA Mini Pro 12K sensor and Blackmagic RAW were designed together to make 12 bit RAW workflows in 12K effortless. As an incredibly efficient next generation codec Blackmagic RAW lets you shoot 12K and edit on a laptop, a capability that simply isn’t possible with other codecs. The massive resolution of the sensor means you can reframe shots in post for delivery in 8K and 4K. It’s like a multi camera shoot with only one camera. And it’s perfect for great looking vertical and square video, too. The advanced design of the sensor and Blackmagic RAW means that you can work in any resolution in post production instantly, without rendering, while retaining the full sensor’s color accuracy.
Blackmagic RAW Fueled Image Capture
Only Blackmagic RAW makes cinema quality 12‑bit, 80 megapixel images at up to 60 frames a reality! Constant quality Q0 and Q5 options and new Q1 and Q3 lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options 5:1, 8:1, 12:1 and the new 18:1 are designed to give you the best possible images with predictable and consistent file size. You can record RAW to two cards simultaneously so you can shoot 12K or 8K to either CFast or UHS‑II cards, even at high frame rates! Blackmagic RAW stores camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post production.
Virtual Cinema Production
When shooting in virtual production environments, the high frequencies of the LED matrix in video walls can cause problems for ultra sharp modern lenses and high resolution sensors, creating interference patterns. Using an optical low pass filter minimizes that interference, which results in a reduction of moire and aliasing. URSA Mini Pro 12K OLPF adds a high performance, optical low pass filter that is precisely matched to the 12K sensor. The OLPF also incorporates updated IR filtering that improves far red color response which, when combined with Blackmagic RAW processing for the URSA Mini Pro 12K OLPF, preserves color and critical image detail for new levels of image fidelity.
Key Features
- Digital Film, Extreme Resolution
- Cinematic Super 35 12K Sensor
- Shoot in 12K, Edit on a Laptop
- Optimised for Fast Flexible Post Production
- Generation 5 Color Science
- High Band Width Recording
Specifications
Effective Sensor Size | 27.03mm x 14.25mm (Super35) |
Lens Mount | PL mount included. Interchangeable with optional EF and F lens mounts. |
Lens Control | 12pin broadcast connector for compatible lenses and electronic control via EF mount pins on optional EF lens mount. |
Dynamic Range | 14 Stops |
Iris Control | Yes |
Screen Dimensions | 4 inch |
Screen Type | LCD capacitive touchscreen |
Shooting Resolutions | 12,288 x 6480 (12K DCI) 11,520 x 6480 (12K 16:9) 12,288 x 5112 (12K 2.4:1) 7680 x 6408 (12K anamorphic) 8192 x 4320 (8K DCI) 7680 x 4320 (8K 16:9) 8192 x 3408 (8K 2.4:1) 5120 x 4272 (8K anamorphic) 6144 x 3240 (6K Super16) 4096 x 2160 (4K Super16) 4096 x 2160 (4K DCI) 3840 x 2160 (4K 16:9) 4096 x 1704 (4K 2.4:1) 2560 x 2136 (4K anamorphic) |
Frame Rates | Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. |
High Speed Frame Rates | 12K 17:9 full sensor up to 60 fps 12K 2.4:1 up to 75 fps 8K DCI full sensor up to 120 fps 4K DCI full sensor up to 120 fps 8K 2.4:1 and 4K 2.4:1 up to 160 fps 6K Super 16 up to 120 fps 4K Super 16 up to 240 fps |
Built in ND Filters | Four position ND filter wheel with clear, 2-stop, 4-stop and 6-stop IR ND filters. |
Connections | |
Total Video Inputs | 1 x 12G-SDI |
Total Video Outputs | 1 x 12G-SDI, 1 x 3G-SDI Monitoring. |
SDI Rates | 1.5G, 3G, 6G, 12G. |
Analog Audio Inputs | 2 x XLR analog switchable between mic, line and AES audio. Phantom power support. |
Analog Audio Outputs | 1 x 3.5mm headphone jack, supports iPhone microphone for talkback. |
Reference Inputs | Tri-Sync/Black Burst/Timecode. |
Remote Control | 1 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses. |
Computer Interface | 1 x USB Type-C 3.1 Gen 2 with power delivery for external drive recording. 1 x USB Type-C for software updates. |
Audio | |
Microphone | Integrated stereo microphone. |
Built in Speaker | 1 x mono speaker |
Standards | |
SD Video Standards | None |
HD Video Standards | 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60 |
Ultra HD Video Standards | 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60 |
SDI Audio Sampling | 48 kHz and 24 bit |
SDI Compliance | SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1 |
Media | 2 x CFast 2.0 card slots, 2 x SD UHS-II card slots, 1 x USB-C 3.1 Gen 2 expansion port with power delivery for recording to external media. |
Media Format | Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems. |
Alternative Media | 1 x 2.5” drive slot for 7mm and 9.5mm U.2 NVMe SSD or SATA SSD with optional URSA Mini Recorder |
Codecs | Blackmagic RAW Constant Bitrate 5:1, Blackmagic RAW Constant Bitrate 8:1, Blackmagic RAW Constant Bitrate 12:1, Blackmagic RAW Constant Bitrate 18:1, Blackmagic RAW Constant Quality Q0, Blackmagic RAW Constant Quality Q1, Blackmagic RAW Constant Quality Q3, Blackmagic RAW Constant Quality Q5. |
Control | |
External Control | Blackmagic SDI Camera Control Protocol, iPad control, Bluetooth control, 1 x 2.5mm LANC for lens and record control. |
Talkback and Tally | |
Talkback | SDI Channels 15/16 and iPhone headset. |
Live Tally Indicator | Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder. |
Storage Type | 2 x CFast 2.0, 2 x SD UHS-II cards, 1 x high speed USB-C expansion port for external media. |
Recording Formats | Blackmagic RAW Q0, Q1, Q3, Q5, 5:1, 8:1, 12:1 and 18:1 at 12,288 x 6480, 11,520 x 6480, 12,288 x 5112, 7680 x 6408, 8192 x 4320, 7680 x 4320, 8192 x 3408, 5120 x 4272, 6144 x 3240, 4096 x 2160, 3840 x 2160, 4096 x 1704 and 2560 x 2136 stored as 12 bit non-linear with film, extended video, video or custom 3D LUT embedded in metadata. |
In The Box
- Blackmagic URSA Mini Pro 12K OLPF Body
- Turret dust cap
- PL lens mount
- Power supply
- DaVinci Resolve Studio activation key
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Details
- Product: Blackmagic URSA Mini Pro 12K OLPF Digital Film Camera
- Manufacturer: Blackmagic
- Model: CINEURSAMUPRO12KOLPF
- SKU: CINEURSAMUPRO12KOLPF
- RM Product #: 104612