Processors & Effects

• LED Backlit VU Input/Output Level Metering
• VCA-Less Vactrol Opto-Compression Design
• Accurate Ten Segment LED Gain Reduction Metering
• Active Balanced XLR And 1/4-Inch Inputs & Outputs

• Beating heart of the most iconic optical compressors ever made

• Single-Channel, Solid-State Compressor
• Switchable Sidechain High-Pass Filter
• Selectable High- and Low-Pass Filters
• Dry/Wet Mix Control
• Adjustable Attack and Release Times

• Fully Discrete Design
• Through Hole Components
• Polyester Capacitors
• Vintage-Inspired One-Sided PCB Layout
• Cinemag Remake/Original UTC Transformer

• For Recording & Mixing Engineers
• 2 Classic Compressors in 1 Unit
• F.E.T. Compression Based on 76 Design
• Opto Compression Based on 2A Design
• Swap Order of Circuits with AB-BA Switch

• Single Channel
• Battery or Phantom Powered
• Ground Lift
• Input Pad
• Rugged Enclosure

• Pristine Audio Fidelity
• Ground Lift Switch
• Voltage Gain Selector

• Unbalanced 1/4" Inputs.
• Balanced XLR Outputs.
• Passive Operation.
• Ground Lift.

• Unbalanced 1/4" and XLR Inputs.
• Balanced XLR Output.
• Battery or Phantom Powered.

• Premium Performance.
• Rugged Design.
• Stackable Chassis with Durable Rubber Foot.
• Gold-plated Neutrik XLR Connector.

• Active.
• Polarity Switch.
• Ground Lift Switch.
• Rugged Construction.

• Dual Channel.
• Stereo or Dual-Mono.
• Classic dbx "Auto" Mode.
• Side Chain Insert.
• Separate LED Displays.

• 2 channels
• 19 inch rack size

• Channel strip for studio and live sound
• Switchable for mic, line, or instrument-level signals
• Switchable 48V phantom power and phase reverse
• Program-adaptive Gate, VCA compressor, De-esser, and EQ
• Multiband "Tube Saturation" feature for subtle warming effects
• Limiter on the output stage with a preset threshold (+16dB)

• 2 channel, 1 rack unit Auto/Manual Gate/Compressor/Limiter
• Manual attack and release control
• Proprietary "Programme Adaptive" soft gate (envelope follower)
• Proprietary auto compressor with slope based attack and envelope following release
• Zero overshoot limiter (+20dB)
• Intergrated circuit VCA
• Proprietary log level detector (not RMS)

• Dual channel
• Compressor - Combines the smoothness of the 'Soft Knee' principle with the precision of a ratio control switchable for auto or manual control of Attack and Release times
• Peak level-'Zero Response Time', 'Zero Overshoot' circuitry provides an absolute limit to the peak level of the output signal, adjustable from 0dB to +16dB above system level

• Two THAT Corporation ultra clean mic pre's with 66dB of gain with phantom power and switchable mic impedance
• Separate Line & Mic input XLR's
• A pro quality instrument DI input with low and high EQ.
• Can be used as 2 mono tracking compressors or 1 stereo buss compressor (avoiding image shifting)
• FETs can be bypassed altogether to provide ultra clean outputs.
• Standard controls such as Threshold, Ratio, Attack & Release, with 8 LED GR Metering on each band.

• Auto Attack and Release
• Peak Level Limiter
• Bypass
• Stereo Linking

• 3-band stereo compressor for mixing and mastering
• FET compression reacts fast with a soft knee
• High-grade signal path all the way through, with impeccable left/right tracking across the full compression range
• Variable crossover frequencies, with mute and bypass switches for easy monitoring of each band
• Big and Air modes adds low-end body and high-end sparkle

• Switchable BIG and BIGGER control on each channel
• Dual mono or true stereo link operation
• Side chain access and side chain listen facility
• VU metering of gain reduction and output levels
• Switchable +10dB mode on VU re-scales the meter for users working at ‘hot’ output levels.
• VU red warning glow to signify ‘approaching clipping’

• Variable high pass and low pass filters for "frequency conscious" gating
• Comprehensive envelope control, attack, hold, decay, and range
• Key input for external triggering
• "Key listen" facility
• Extremely fast attack time, to preserve the natural attack of the sound
• Balanced inputs and outputs

• Fast Reacting Stereo FET Design compressor with excellent Left/Right Tracking across the Full Range of compression and in a 1u rack mount housing.
• Threshold, Ratio, Attack and Release controls and Gain Reduction Metering provide familiar and intuative control over the audio. Anyone that knows how to use a compressor can operate the 1978.

• Powerful 3 Band all Analogue Saturation for adding warmth to both your digital and analogue sounds.
• Designed to Inject character to your audio reminiscent of 1970's era gear and remove the sanitized harshness that digital recordings suffer from

• Vintage-style 4-band parametric equalization
• Inspired by classic 1970s-era analog equipment
• Delivers classic sonic clarity and control at an affordable price
• Stereo operation with one set of controls for both channels
• Accurate, indented potentiometers provide precision for quick and easy recall

• Key Holder access only.
• Takes only minutes to install.
• Tamper-Proof bracket (available separately) to lock-in the XLRs and conform to Local Authority regulations.
• Dual 16 segment Left/Right bargraphs for ’at a glance’ level metering.
• ’Protection’ processing 16 segment bargraph display.

• Eventide Quality Effects
• Real-Time Control
• Tap Tempo
• MIDI
• Metal Footswitches

• Panic Secondary Backup
• Digital and Analogue Audio Capabilities
• User Defined Dump Segments
• Momentary Edits
• Remote Operation

• Emote via Mac PC or IOS
• Powerful Control Over your Studio Monitoring
• Comprehensive Range of I/O Connectivity
• Console-Style Monitor Control

• Intuitive, Powerful Interface
• Scenes, Functions, Meters
• Direct I/O, World Clock, Presets
• Wifi & LAN

• Can be Daisy-Chained with Other Pro Tools Interfaces
• For up to 32 Channels of Direct I/O

• 32 Channels of Digital I/O for your H9000

• For the H9000

• Bypass Function
• Manual Control Through Delete Function
• Call Interrupt
• Fill Selection
• LED Level Metres

• Panic Secondary Backup
• User Defined Dump Segments
• Momentary Edit
• Remote Operation
• Digital and Analogue Audio Capabilities

Passive DI Box. Instrument/Line in switch. Ground lift switch to eliminate hum.

• Advanced CDCM HD and F.I.R.E. Modeling System
• Core-Dual-DSP-Platform
• Armory
• Authentic Acoustic Sound
• Touch Screen Interface
• Essential I/O

• Compact, easy-to-use amp modeler & effects processor
• New-gen CDCM & F.I.R.E. modeling system ensures high end tonal expressiveness and realistic playing experience
• Powerful, upgraded dual DSP-powered platform ensures excellent sound quality
• 24-bit signal processing, up to 120dB S/N ratio
• 4-inch 800 x 480 sharp color touch screen with instant control
• 18V DC high voltage power supply for huge dynamic range

• Selectable Active/Passive Pickup Input.
• Z-Tone Variable Impedance.
• Switchable Pure/JFET Channel Tone.
• Buffers Signal for Long Cable Runs.
• Boost Circuit Adds Volume and Drive.

• Selectable Active/Passive Pickup Input.
• Z-Tone Variable Impedance.
• Switchable Pure/JFET Channel Tone.
• Switchable -20 dB Pad.
• 1/4" Thru and Main Outputs.

• TSAC-HD Pre-Effects and Amp Modeling
• Core-Image Post-Effects
• Quick Tone™ Edit Software
• Supports 3rd-party IRs to Expand Sound Ability
• 56 Drum Beats & 60sec Phrase Loop Synchronization
• Global 3 Bands EQ for Quick Adjustment

• Balanced XLR Outputs
• Transformer Isolation
• Provides Ground Isolation
• Stereo/Mono Switch
• USB Powered

• 3x Stereo Pairs of 1/4" TRS Speaker Outs
• 2x Stereo Pairs of 1/4" TRS Inputs
• 1x Stereo RCA & 1x Stereo 1/8" Aux Input
• 1x Stereo S/PDIF Digital Input
• 4x 1/4" TRS Stereo Headphone Outs

• Eight channels of compression
• Full featured gates
• Brick wall limiting
• Link function

• Rugged aluminum-extrusion chassis
• Dependable Neutrik XLR and locking EtherCon connectors
• Power over Ethernet (PoE) eliminates the need power supplies
• LED indicators let you keep an eye on network health and device functions

• Passive re-amping device
• Allows for playing prerecorded tracks through amplifiers and pedals and re-record the results
• Level control for fine tuning the gain
• Ground lift switch, when activated helps to reduce hum and buzz caused by ground loops