Processors & Effects

• Passive re-amping device
• Allows for playing prerecorded tracks through amplifiers and pedals and re-record the results
• Level control for fine tuning the gain
• Ground lift switch, when activated helps to reduce hum and buzz caused by ground loops

• Packed with immersive, atmospheric reverbs.
• Switchable line- and instrument-level stereo operation.
• Integrated 8-step sequencer with auto-advance.
• Powerful SHARC DSP with 32-bit floating-point processing.

• 16 Voice Effects
• Compression, Reverb, Delay, and Enhance
• Adds up to 2 Voices for 3-Part Harmonies
• XLR Mic Input with 48V Phantom Power
• 3.5mm Stereo Aux Input

• 2 channels
• 19 inch rack size

• Channel strip for studio and live sound
• Switchable for mic, line, or instrument-level signals
• Switchable 48V phantom power and phase reverse
• Program-adaptive Gate, VCA compressor, De-esser, and EQ
• Multiband "Tube Saturation" feature for subtle warming effects
• Limiter on the output stage with a preset threshold (+16dB)

• 2 channel, 1 rack unit Auto/Manual Gate/Compressor/Limiter
• Manual attack and release control
• Proprietary "Programme Adaptive" soft gate (envelope follower)
• Proprietary auto compressor with slope based attack and envelope following release
• Zero overshoot limiter (+20dB)
• Intergrated circuit VCA
• Proprietary log level detector (not RMS)

• Dual channel
• Compressor - Combines the smoothness of the 'Soft Knee' principle with the precision of a ratio control switchable for auto or manual control of Attack and Release times
• Peak level-'Zero Response Time', 'Zero Overshoot' circuitry provides an absolute limit to the peak level of the output signal, adjustable from 0dB to +16dB above system level

• Beating heart of the most iconic optical compressors ever made

• Unbalanced 1/4" Inputs.
• Balanced XLR Outputs.
• Passive Operation.
• Ground Lift.

• Unbalanced 1/4" and XLR Inputs.
• Balanced XLR Output.
• Battery or Phantom Powered.

• Premium Performance.
• Rugged Design.
• Stackable Chassis with Durable Rubber Foot.
• Gold-plated Neutrik XLR Connector.

• Active.
• Polarity Switch.
• Ground Lift Switch.
• Rugged Construction.

• Recreates Classic Top-Tier Studio Staple
• Smooth Tube-Optical Warmth
• Precision Controls
• Custom Large-Core Transformers
• 12ax7 Tung-Sol and JJ 12au7 Tubes
• 270V 100% Discrete Analogue Signal Path

• No Batteries Required
• Merge Switch Sums Stereo Instruments
• Low Cut/Polarity/Pad/Ground Switches

• Eventide Quality Effects
• Real-Time Control
• Tap Tempo
• MIDI
• Metal Footswitches

• Panic Secondary Backup
• Digital and Analogue Audio Capabilities
• User Defined Dump Segments
• Momentary Edits
• Remote Operation

• Recreation of Pultec EQP-1A
• Aesthetics and Sonics of the Original
• CineMag Transformers and Premium Tubes
• Fully Discrete Design
• Five Added Frequency Points

• Single-Channel Limiting Amplifier
• Ultra-Fast Attack Time
• "All Buttons In" Feature
• CineMag Input and Output Transformers
• Class-A Line-Level Output Amplifier

• 4 Tube Design
• Dual Cinemag Transformers
• Kenetek Opto-Cell
• Discrete Signal Path

• 3x Stereo Pairs of 1/4" TRS Speaker Outs
• 2x Stereo Pairs of 1/4" TRS Inputs
• 1x Stereo RCA & 1x Stereo 1/8" Aux Input
• 1x Stereo S/PDIF Digital Input
• 4x 1/4" TRS Stereo Headphone Outs

• Connects a Mobile Device to a PA/Mixer
• 3.5mm TRS Male Plug on 5' Attached Cable
• Switchable -15 dB Pad
• Custom-Wound Transformers
• 2 x 1/4" TRS Outputs
• Balanced XLR 3-Pin Output

• For Stage & Home Recording Studio Use
• Handles High-Output Instruments
• Transformer Isolated, No Ground Loops

• Increased Dynamic Range and Headroom
• 48V Phantom Powered & Switching Supply
• -15 dB Pad Switch

• Two THAT Corporation ultra clean mic pre's with 66dB of gain with phantom power and switchable mic impedance
• Separate Line & Mic input XLR's
• A pro quality instrument DI input with low and high EQ.
• Can be used as 2 mono tracking compressors or 1 stereo buss compressor (avoiding image shifting)
• FETs can be bypassed altogether to provide ultra clean outputs.
• Standard controls such as Threshold, Ratio, Attack & Release, with 8 LED GR Metering on each band.

• TSAC-HD Pre-Effects and Amp Modeling
• Core-Image Post-Effects
• Quick Tone™ Edit Software
• Supports 3rd-party IRs to Expand Sound Ability
• 56 Drum Beats & 60sec Phrase Loop Synchronization
• Global 3 Bands EQ for Quick Adjustment

• SSL Highpass & Lowpass Filters
• Wet/Dry Mix Control

• Input & Output Trim Controls
• Adjustable High-Pass Filter
• Selectable Mid-Side Insert Mode
• Input Overload LED, Stereo I/O Meter
• Stereo XLR I/O & Insert Connectors
• Occupies 2 RU of Rack Space

• Selectable Active/Passive Pickup Input.
• Z-Tone Variable Impedance.
• Switchable Pure/JFET Channel Tone.
• Switchable -20 dB Pad.
• 1/4" Thru and Main Outputs.

• Connect Line/Hi-Z Signals to Mic Inputs.
• 1/4" Input.
• Parallel Thru-Put for Amp Connections.
• Line/Instrument Switch.
• Passive Design for Active Instruments.

• Connect Line/Hi-Z Signals to Mic Inputs.
• 1/4" Input.
• Parallel Thru-Put for Amp Connections.
• Line/Instrument Switch.
• Active Design for Passive Instruments.

• Classic VCA Compressor Design.
• Add Glue & Control Dynamics.
• Switchable CineMag Transformers.
• Sonic Transparency or Colourful Vibe.
• Selectable High-Pass Filter.

• Auto Attack and Release
• Peak Level Limiter
• Bypass
• Stereo Linking

• 3-band stereo compressor for mixing and mastering
• FET compression reacts fast with a soft knee
• High-grade signal path all the way through, with impeccable left/right tracking across the full compression range
• Variable crossover frequencies, with mute and bypass switches for easy monitoring of each band
• Big and Air modes adds low-end body and high-end sparkle

• Switchable BIG and BIGGER control on each channel
• Dual mono or true stereo link operation
• Side chain access and side chain listen facility
• VU metering of gain reduction and output levels
• Switchable +10dB mode on VU re-scales the meter for users working at ‘hot’ output levels.
• VU red warning glow to signify ‘approaching clipping’

• Emote via Mac PC or IOS
• Powerful Control Over your Studio Monitoring
• Comprehensive Range of I/O Connectivity
• Console-Style Monitor Control

• Intuitive, Powerful Interface
• Scenes, Functions, Meters
• Direct I/O, World Clock, Presets
• Wifi & LAN

• Can be Daisy-Chained with Other Pro Tools Interfaces
• For up to 32 Channels of Direct I/O

• 32 Channels of Digital I/O for your H9000

• For the H9000

Passive DI Box. Instrument/Line in switch. Ground lift switch to eliminate hum.

• Dual Channel.
• Stereo or Dual-Mono.
• Classic dbx "Auto" Mode.
• Side Chain Insert.
• Separate LED Displays.

• Eight channels of compression
• Full featured gates
• Brick wall limiting
• Link function

• Bypass Function
• Manual Control Through Delete Function
• Call Interrupt
• Fill Selection
• LED Level Metres

• Panic Secondary Backup
• User Defined Dump Segments
• Momentary Edit
• Remote Operation
• Digital and Analogue Audio Capabilities

• LED Backlit VU Input/Output Level Metering
• VCA-Less Vactrol Opto-Compression Design
• Accurate Ten Segment LED Gain Reduction Metering
• Active Balanced XLR And 1/4-Inch Inputs & Outputs