Processors & Effects

• LED Backlit VU Input/Output Level Metering
• VCA-Less Vactrol Opto-Compression Design
• Accurate Ten Segment LED Gain Reduction Metering
• Active Balanced XLR And 1/4-Inch Inputs & Outputs

• For Recording & Mixing Engineers
• 2 Classic Compressors in 1 Unit
• F.E.T. Compression Based on 76 Design
• Opto Compression Based on 2A Design
• Swap Order of Circuits with AB-BA Switch

• Fully Discrete Design
• Through Hole Components
• Polyester Capacitors
• Vintage-Inspired One-Sided PCB Layout
• Cinemag Remake/Original UTC Transformer

• Single-Channel, Solid-State Compressor
• Switchable Sidechain High-Pass Filter
• Selectable High- and Low-Pass Filters
• Dry/Wet Mix Control
• Adjustable Attack and Release Times

• Beating heart of the most iconic optical compressors ever made

• Pristine Audio Fidelity
• Ground Lift Switch
• Voltage Gain Selector

• Single Channel
• Battery or Phantom Powered
• Ground Lift
• Input Pad
• Rugged Enclosure

• Switchable BIG and BIGGER control on each channel
• Dual mono or true stereo link operation
• Side chain access and side chain listen facility
• VU metering of gain reduction and output levels
• Switchable +10dB mode on VU re-scales the meter for users working at ‘hot’ output levels.
• VU red warning glow to signify ‘approaching clipping’

• Two THAT Corporation ultra clean mic pre's with 66dB of gain with phantom power and switchable mic impedance
• Separate Line & Mic input XLR's
• A pro quality instrument DI input with low and high EQ.
• Can be used as 2 mono tracking compressors or 1 stereo buss compressor (avoiding image shifting)
• FETs can be bypassed altogether to provide ultra clean outputs.
• Standard controls such as Threshold, Ratio, Attack & Release, with 8 LED GR Metering on each band.

• 3-band stereo compressor for mixing and mastering
• FET compression reacts fast with a soft knee
• High-grade signal path all the way through, with impeccable left/right tracking across the full compression range
• Variable crossover frequencies, with mute and bypass switches for easy monitoring of each band
• Big and Air modes adds low-end body and high-end sparkle

• Vintage-style 4-band parametric equalization
• Inspired by classic 1970s-era analog equipment
• Delivers classic sonic clarity and control at an affordable price
• Stereo operation with one set of controls for both channels
• Accurate, indented potentiometers provide precision for quick and easy recall

• Powerful 3 Band all Analogue Saturation for adding warmth to both your digital and analogue sounds.
• Designed to Inject character to your audio reminiscent of 1970's era gear and remove the sanitized harshness that digital recordings suffer from

• Fast Reacting Stereo FET Design compressor with excellent Left/Right Tracking across the Full Range of compression and in a 1u rack mount housing.
• Threshold, Ratio, Attack and Release controls and Gain Reduction Metering provide familiar and intuative control over the audio. Anyone that knows how to use a compressor can operate the 1978.

• Dual channel
• Compressor - Combines the smoothness of the 'Soft Knee' principle with the precision of a ratio control switchable for auto or manual control of Attack and Release times
• Peak level-'Zero Response Time', 'Zero Overshoot' circuitry provides an absolute limit to the peak level of the output signal, adjustable from 0dB to +16dB above system level

• 2 channel, 1 rack unit Auto/Manual Gate/Compressor/Limiter
• Manual attack and release control
• Proprietary "Programme Adaptive" soft gate (envelope follower)
• Proprietary auto compressor with slope based attack and envelope following release
• Zero overshoot limiter (+20dB)
• Intergrated circuit VCA
• Proprietary log level detector (not RMS)

• Auto Attack and Release
• Peak Level Limiter
• Bypass
• Stereo Linking

• Variable high pass and low pass filters for "frequency conscious" gating
• Comprehensive envelope control, attack, hold, decay, and range
• Key input for external triggering
• "Key listen" facility
• Extremely fast attack time, to preserve the natural attack of the sound
• Balanced inputs and outputs

• Channel strip for studio and live sound
• Switchable for mic, line, or instrument-level signals
• Switchable 48V phantom power and phase reverse
• Program-adaptive Gate, VCA compressor, De-esser, and EQ
• Multiband "Tube Saturation" feature for subtle warming effects
• Limiter on the output stage with a preset threshold (+16dB)

• 2 channels
• 19 inch rack size

• Key Holder access only.
• Takes only minutes to install.
• Tamper-Proof bracket (available separately) to lock-in the XLRs and conform to Local Authority regulations.
• Dual 16 segment Left/Right bargraphs for ’at a glance’ level metering.
• ’Protection’ processing 16 segment bargraph display.

• Panic Secondary Backup
• User Defined Dump Segments
• Momentary Edit
• Remote Operation
• Digital and Analogue Audio Capabilities

• Bypass Function
• Manual Control Through Delete Function
• Call Interrupt
• Fill Selection
• LED Level Metres

• Panic Secondary Backup
• Digital and Analogue Audio Capabilities
• User Defined Dump Segments
• Momentary Edits
• Remote Operation

• 32 Channels of Digital I/O for your H9000

• Intuitive, Powerful Interface
• Scenes, Functions, Meters
• Direct I/O, World Clock, Presets
• Wifi & LAN

• Emote via Mac PC or IOS
• Powerful Control Over your Studio Monitoring
• Comprehensive Range of I/O Connectivity
• Console-Style Monitor Control

• For the H9000

• Can be Daisy-Chained with Other Pro Tools Interfaces
• For up to 32 Channels of Direct I/O

Passive DI Box. Instrument/Line in switch. Ground lift switch to eliminate hum.

• Compact, easy-to-use amp modeler & effects processor
• New-gen CDCM & F.I.R.E. modeling system ensures high end tonal expressiveness and realistic playing experience
• Powerful, upgraded dual DSP-powered platform ensures excellent sound quality
• 24-bit signal processing, up to 120dB S/N ratio
• 4-inch 800 x 480 sharp color touch screen with instant control
• 18V DC high voltage power supply for huge dynamic range

• Advanced CDCM HD and F.I.R.E. Modeling System
• Core-Dual-DSP-Platform
• Armory
• Authentic Acoustic Sound
• Touch Screen Interface
• Essential I/O

• Selectable Active/Passive Pickup Input.
• Z-Tone Variable Impedance.
• Switchable Pure/JFET Channel Tone.
• Buffers Signal for Long Cable Runs.
• Boost Circuit Adds Volume and Drive.

• Selectable Active/Passive Pickup Input.
• Z-Tone Variable Impedance.
• Switchable Pure/JFET Channel Tone.
• Switchable -20 dB Pad.
• 1/4" Thru and Main Outputs.

• TSAC-HD Pre-Effects and Amp Modeling
• Core-Image Post-Effects
• Quick Tone™ Edit Software
• Supports 3rd-party IRs to Expand Sound Ability
• 56 Drum Beats & 60sec Phrase Loop Synchronization
• Global 3 Bands EQ for Quick Adjustment

• Balanced XLR Outputs
• Transformer Isolation
• Provides Ground Isolation
• Stereo/Mono Switch
• USB Powered

• Eight channels of compression
• Full featured gates
• Brick wall limiting
• Link function

• 3x Stereo Pairs of 1/4" TRS Speaker Outs
• 2x Stereo Pairs of 1/4" TRS Inputs
• 1x Stereo RCA & 1x Stereo 1/8" Aux Input
• 1x Stereo S/PDIF Digital Input
• 4x 1/4" TRS Stereo Headphone Outs

• Rugged aluminum-extrusion chassis
• Dependable Neutrik XLR and locking EtherCon connectors
• Power over Ethernet (PoE) eliminates the need power supplies
• LED indicators let you keep an eye on network health and device functions

• No Batteries Required
• Merge Switch Sums Stereo Instruments
• Low Cut/Polarity/Pad/Ground Switches

• Stereo Version of J48
• Low Distortion
• -15 dB Pad
• High-Pass Filter at 80 Hz
• Retains Instrument's Tone
• 14-Gauge Steel Construction

• Eliminates Hum & Buzz from Ground Loops
• Zero Phase & Harmonic Distortion
• Jensen Transformer Equipped

• Equipped with Jensen Transformers
• -15 dB Pad Per Channel
• Flat Frequency Response
• Transformer-Isolated I/O
• 14-Gauge Steel Construction

• Amp & Cab Simulator in Pedal Form
• Combo, Stack & 4x12 Cab Settings
• Presence Switch to Add Highs
• 180° Polarity Reverse Switch
• Ground Lift Switch

• Active Signal Patch
• Eliminates Hum and Buzz common to PCs
• 1/4" / RCA / 3.5mm Inputs for Any Source
• -15 dB Pad, Ground Lift Switch
• 48V Phantom Powered

• Increased Dynamic Range and Headroom
• 48V Phantom Powered & Switching Supply
• -15 dB Pad Switch