Recording

• 1x 12G-SDI BNC with 16-channel embedded audio
• 1x HDMI 2.0 with 8-channel embedded audio
• 1x Thunderbolt 3 connector
• PQ, HLG and HDR10 Support
• HDR Metadata Auto Playback Detection

• openGear compatible card
• 3G-SDI Embedder/Disembedder
• 8-Channel Balanced Analog Audio I/O
• 8x 3-Pin Terminal Block connectors (included)
• Use with openGear 2RU frames

• SDI Input and Equalised Loop Output
• HDMI 1.2 Output
• 8-Channel Embedded Audio Supported
• 2-Channel RCA for Separate Audio
• Universal Power Supply Included

• Classic Transformer Microphone Preamp Amp
• Neve Marinair™ Transformers
• Freq. Response: ±0.5dB 20Hz to 20kHz, -3dB at 40kHz

• Variable Output Level Control
• 48v Phantom Switchable Power
• Mic Preamp with 65 dB of Gain
• LED VU Meter

• USB connectivity to desktop and laptop computers
• RIAA accurate low noise phono preamp
• Up to 45dB of clean gain
• Latency free monitoring

• Single-Channel Tube-Based
• Hand-Selected 12AX7A Vacuum Tube
• Variable Input & Output Gain Control
• Ideal as a Tube DI Box
• XLR & 1/4" Connections

• 1RU Steel Chassis
• 48 Balanced Channels
• 1/4" I/O
• Passive Design
• Normal or Half-Normal Operation

• Selectable Plate Voltage
• Wide Frequency Response
• Operates at +4dbm/-10dbv Output
• Discrete Class-A Input Microphone Preamplifier

• LED Backlit VU Input/Output Level Metering
• VCA-Less Vactrol Opto-Compression Design
• Accurate Ten Segment LED Gain Reduction Metering
• Active Balanced XLR And 1/4-Inch Inputs & Outputs

• V3 Technology
• Output Protection Limiter
• XLR and 1/4" connections

• 2 Input/2 Output
• Phantom Power
• Portable
• 3 Powering Options
• Mac OS

• Max Load: 30kg
• Flange Diameter: 36 mm
• Black Powder Coated Steel
• Tiltable and Swiveling Deisgn
• Weight: 1.95 kg

• Symphony Sound Quality in Desktop Format
• Preamp Emulation, Hardware DSP, Plug-Ins
• Easy Operation with Colour Touchscreen
• Two Stepped-Gain Preamps with 75 dB Gain
• XLR-1/4" Mic/Line Inputs & 1/4" Hi-Z In

• High-Quality AD/DA Conversion
• 24-Bit / 192 kHz
• Boutique-Quality Microphone Preamps
• 8x Analogue Inputs & 8x Analogue Outputs
• Word Clock Input and Output

• Musicians, Producers, Songwriters
• USB Type-C Connectivity
• 2 Mic / Line / Hi-Z Preamps
• 1 Headphone Out, 2 Line/Monitor Outs
• Transparent AD/DA Conversion

• Connects Directly to Duet 3 Interface
• USB Type-C Host Connectivity
• 2 XLR Inputs, 2 Hi-Z 1/4" Inputs
• 1 Headphone Out, 2 Line/Monitor Outs
• Second USB Type-C Port for Power Input

• Class-D Amplifier: 2 x 20W or 1 x 40W
• Energy Efficient
• Use Any Microphone
• Line Level Inputs
• Independent Level Adjustment: Mic / Line

• Integrated pre-listening loudspeaker with volume control
• USB interface for each module slot (4x)
• 2,8" TFT display with selection & operation push buttons
• AUDAC Touch enabled
• RS-232 remote control connection

• Elegant design
• Compatible with EU installation materials
• Signal transmission over twisted pair
• Signal transmission insensitive

• Single Channel
• Microphone Preamp
• Instrument DI
• Line Input
• Opto-Compressor

• Discrete, Pure Class-A, High-Voltage Amp
• Microphone Dual Impedance Selector
• 10 Megohm DI-In for Zero-Loading
• Passive TONE-BANK for Unique Shaping
• High Performance Reamping Transformer

• Discrete, Pure Class A, High-Voltage Amp
• Microphone Dual Impedance Selector
• 10,000,000 Ohm DI-In for "Zero-Loading"
• Passive TONE BANK for Unique Shaping
• High Performance RE-AMP Transformer

• All Class A, transformer-coupled design
• Original Marconi knobs
• Input impedance selector switch
• Line level capability
• High impedance DI for guitar and synth

• For USB Recording at Home
• Record Line-Level, Instruments, or Mics
• Combination XLR-1/4" Inputs
• 1/4" Headphone Output
• Sample Rate Support up to 192 kHz

• Universal Microphone and Portable Recorder Shock Mount
• Designed for Shock and Vibration Isolation

• Four channel version rack mount of our ever popular Auteur MK2 preamp.
• Shines on sources that require detail
• Two Channels of Di and Metering

• Beating heart of the most iconic optical compressors ever made

• Single-Channel, Solid-State Compressor
• Switchable Sidechain High-Pass Filter
• Selectable High- and Low-Pass Filters
• Dry/Wet Mix Control
• Adjustable Attack and Release Times

• 8 Available Spaces
• Front-Panel TT Patchbay
• Two 3-Point TT Mults
• Per-Slot Linear Regulation
• XLR and DB25 Inputs and Outputs

• Ultra-Low Jitter
• Dimmable Frequency Display
• 8 Selectable Sample Rates
• 6 x BNC Outputs
• RCA & Optical S/PDIF Output

• 6 BNC Outputs
• AES Output
• RCA S/PDIF Output
• Optical S/PDIF Output
• 8 Selectable Sample Rates Up to 384 kHz

• Ultra-Low Jitter Crystal Oscillators
• 3 Outputs
• 6 Selectable Rates
• 75Ω Terminations

• Vintage-Inspired Microphone Preamp
• Passive Induction-Based Programme AEQ
• Switchable High- and Low-Pass Filters
• CineMag Transformer and Inductor
• Adjustable Input and Output Gain

• Fully Discrete Design
• Through Hole Components
• Polyester Capacitors
• Vintage-Inspired One-Sided PCB Layout
• Cinemag Remake/Original UTC Transformer

• For Engineers Who Prefer the '73 Sound
• Warm, Creamy Sound
• 4 x Mic Inputs, 2 x 1/4" DI Inputs
• Up to 70 dB of Gain
• Input & Output Gain Attenuators

• Classic Lush and Warm Sound
• Mic, Instrument, and Line Input
• Stepped Input Knob
• CineMag Transformer
• Output Knob after Transformer Stage

• For Recording & Mixing Engineers
• 2 Classic Compressors in 1 Unit
• F.E.T. Compression Based on 76 Design
• Opto Compression Based on 2A Design
• Swap Order of Circuits with AB-BA Switch

• Expansion Module for Audio Interfaces
• 44.1 to 192 kHz, 8 to 2 Channels
• Dual TOSLINK ADAT Inputs and Outputs
• BNC Wordclock I/O
• Sample Rate Conversion
• Eight 1/4" TRS Inputs and Outputs

• For Studios and Large Stages
• 16 XLR Inputs, 16 XLR Outputs
• Two DB-25 Inputs, Two DB-25 Outputs
• Gold-Plated Connectors
• Customisable Front-Panel Labels
• Anodised Aluminium Faceplate

• Reliable Signal Path for Studio Use
• 48-Point, Audiophile-Grade Patchbay
• 96 x Gold-Plated 1/4" TRS I/O
• 24 x 3-Way Routing Mode Switches
• Normal, Half Normal, and Thru Routings
• Front-Panel Labels

• Reliable Signal Path for Studio Use
• 16-Point, Audiophile-Grade Patchbay
• 32 XLR Gold-Plated Connectors
• 4 XLR-Male Connectors on Front Panel
• Rugged Black-Anodised Aluminium Faceplate
• 1 RU Rackmount Design

• For Engineers Who Prefer the 312 Sound
• Warm, Punchy Sound
• 4 x Mic Inputs & 2 x DI Inputs
• Up to 70 dB of Gain
• Input & Output Gain Attenuators

• Classic Punchy, Rich Sound
• Mic, Instrument, and Line Input
• Stepped Input Knob
• CineMag Input and Output Transformer
• XLR and 1/4" Input

• Mic and Hi-Z Instrument Inputs
• Up to 67 dB of Gain
• Ultrafast Input Stage
• Edcor Output Transformer
• Switchable 13 dBu Pad

• Requires Fairlight PCIe Audio Accelerator
• 1U rack mountable interface
• 8 balanced analog inputs; 12 balanced analog outputs
• 9 stereo digital inputs; 11 stereo digital outputs fully transformer-coupled AES

• Up to 6 real time VST plug ins per channel
• Power up to 1,000 nearly zero latency tracks
• Sub-millisecond latency
• Full real time processing

• Displays Tallies for Video Signals
• Indicates On-air Status
• For ATEM Switchers / Videohub Routers
• 8 Contact Closure Inputs & Outputs
• Connects with Multiple Interfaces

• Fits Zoom H5 and Tascam DR-40X
• Fits Similarly Sized Recorders
• Protects Against Wind Noise Pollution
• Transparent Inner Lining
• Adjustable Drawstring
• Includes Mesh Carrying Case

• Fits Zoom H4n Pro and Tascam DR-05X
• Fits Similarly Sized Recorders
• Protects Against Wind Noise Pollution
• Transparent Inner Lining
• Adjustable Drawstring
• Includes Mesh Carrying Case

• Fits Zoom Am-7 and Shure MV88
• Fits Similarly Sized Recorders
• Protects Against Wind Noise Pollution
• Transparent Inner Lining
• Adjustable Drawstring
• Includes Mesh Carrying Case

• For Digital Video Patchbays
• Panel Size of 2 RU

• For Digital Video Patchbays
• Panel Size of 2 RU

• For Digital Video Patchbays
• Panel Size of 2 RU

• 16 Flush-Mount BNC Feedthrough Terminals.
• 12G-SDI Rated.
• 1 RU Rackmount Form-Factor.
• 16-Gauge Steel Panel.
• Durable Matte-Black Powder Coat Finish.

• For Digital Video Patchbays
• Panel Size of 2 RU

• Easy Front Mount Assembly
• 4 RU Panel Size

• For Dynamic, Ribbon, and Tube Microphones
• Class-A, Discrete JFET Circuitry
• Improves Microphone Gain before Feedback
• Requires Phantom Power
• Rugged, Road-Ready, and Portable

• 1x Mic Input
• Variable Impedance 150 Ohms to 15 kOhms
• HPF Variable from 20 Hz to 200 Hz
• +12 dB or +25 dB Gain Settings
• Increases Gain Before Feedback Ratio
• Use with Passive Dynamic & Ribbon Mics

• 1 Mic Input
• Custom-Designed Cinemag Transformer
• Adds Harmonics and Saturation
• Improves Signal-to-Noise Ratio
• Use with Passive Dynamic and Ribbon Mics
• Two Output Levels: 12 and 35 dB

• 4 Mic Inputs
• Improves Signal-to-Noise Ratio
• Use with Passive Dynamic and Ribbon Mics
• +25 dB of Clean, Transparent Gain
• Requires only Phantom Power to Operate
• Ideal for Long Cable Runs

• Record High-Quality Audio on DSLR
• 3.5mm Mic/Line Inputs, Left/Right/Stereo
• Two Volume Knobs, Plug-In Power
• Headphone Jack for Real-Time Monitoring

• XLR-1/4" to 3.5mm Mixing Audio Adapter
• 3-Pin XLR, 1/4", and 3.5mm L/R Inputs
• 3.5mm TRRS Output to DSLR or Smartphone
• Preamp and Mixer, 48V Phantom Power
• L/R Gain Control, Mono / Stereo Switch
• Two-Way Monitoring for Mic and Headphone

• Single Channel
• Battery or Phantom Powered
• Ground Lift
• Input Pad
• Rugged Enclosure

• Pristine Audio Fidelity
• Ground Lift Switch
• Voltage Gain Selector

• Unbalanced 1/4" Inputs.
• Balanced XLR Outputs.
• Passive Operation.
• Ground Lift.

• Unbalanced 1/4" and XLR Inputs.
• Balanced XLR Output.
• Battery or Phantom Powered.

• Premium Performance.
• Rugged Design.
• Stackable Chassis with Durable Rubber Foot.
• Gold-plated Neutrik XLR Connector.

• Active.
• Polarity Switch.
• Ground Lift Switch.
• Rugged Construction.

• Single Channel
• 4 Processors
• Compressor
• De-Esser
• Enhancer

• Dual Channel.
• Stereo or Dual-Mono.
• Classic dbx "Auto" Mode.
• Side Chain Insert.
• Separate LED Displays.

• A MicroDot connector, which allows the microphone to be linked with all leading wireless miking solutions through the extensive range of DPA adapters.
• The MMP-G is available in two variations, MMP-GR with the cable extending from the rear or MMP-GS with the cable extending from the side.

• For Table or Podium Boom
• Modular Output Stage for MMC Capsules
• Active Drive for Impedance Balancing
• Phantom Powered: 48V

• Great for Hanging and Table Microphones
• Short 12mm Housing
• Built-In 3 Metre Cable

• Modular Output Stage for MMC Capsules
• Low Cut & High Boost Filters
• Phantom Powered: 48V

• Modular Output Stage for MMC Capsules
• Soft & Musical Character
• Active Drive for Impedance Balancing
• Phantom Powered: 48V

• Great for Hanging and Table Microphones
• Short 12mm Housing
• Built-In 3 Metre Cable

• Transparent and Musical Mastering Device
• Designed by Mastering Engineers
• Insert Loops and Level Offset
• Stereo Image Width Control
• Stepped Controls for Repeatable Accuracy

• Two Busses
• Direct Connect Up to Six Pieces of Gear
• Adaptable to Different Studio Workflows
• Instantaneously A/B Signal Chain
• Zero Latency, Pop Free Switching

• Newly upgraded 8-channel analog summing mixer delivers enormous soundstage and superior sonic impact
• Five analog and digital inputs at your fingertips (analog stereo, analog sum, USB, AES/SPDIF, Bluetooth)
• Free D-BOX+ app offers remote control of all major functions (volume, dim, talkback, I/O select, and more)
• Bluetooth wireless audio streaming

• Selectable Calibration Level cycles through three calibration levels for compatibility with other devices
• Toggle between two discrete, selectable stereo inputs with two switchable stereo input paths
• Clip Guard will turn off the red light LED at your destination (i.e. DAW)
• Premium custom crafted digital meter with Normal and Peak Hold modes provides precise visual feedback

• 900-watt solid-state bass amplifier head
• Dual TS/speakON speaker outputs, with 4-ohm or 2-ohm functionality
• Direct outputs for both pre- and post-processed signals
• Passive/Active switch optimizes performance for passive or active bass pickups
• Aux input and headphone output allow you to practice along with a music player

• 900-watt solid-state bass amplifier head.
• Dual TS/speakON speaker outputs, with 4-ohm or 2-ohm functionality.
• Direct outputs for both pre- and post-processed signals.
• Passive/Active switch optimizes performance for passive or active bass pickups.

• Foot-switches offer both push and rotary operation
• Stores presets for instant recall of your favourite tones
• Balanced L/R stereo outputs, USB-C, MIDI, XLR direct out
• 3.5mm aux in and headphone out with volume control
• Doubles as an audio interface for Mac or PC

• Instrument / line / amp input with switchable 0dB, -12dB, -30dB pads
• 900W amplifier (with external load) may be connected to input
• Parallel output for connection to an amp
• Aux In: 3.5mm TRS input lets you practice to backing tracks
• Bluetooth: Stereo audio (A2DP) supports impulse loading via Darkglass Suite

• 2 channels
• 19 inch rack size

• Key Holder access only.
• Takes only minutes to install.
• Tamper-Proof bracket (available separately) to lock-in the XLRs and conform to Local Authority regulations.
• Dual 16 segment Left/Right bargraphs for ’at a glance’ level metering.
• ’Protection’ processing 16 segment bargraph display.

• Channel strip for studio and live sound
• Switchable for mic, line, or instrument-level signals
• Switchable 48V phantom power and phase reverse
• Program-adaptive Gate, VCA compressor, De-esser, and EQ
• Multiband "Tube Saturation" feature for subtle warming effects
• Limiter on the output stage with a preset threshold (+16dB)

• Ultra low noise and transparent circuit design.
• Source switches for both Main & Cue can be active in any combination. 5 Inputs in Total - 1x Digital AES/SPDIF Neutrik XLR/JACK COMBI & 2 balanced analogue Neutrik XLR/JACK COMBI and 1 stereo RCA Analogue on the Rear Panel & 1 3.5mm Front Panel Aux.
• 3x Speakers Plus a Mono Sub can be switched individually & simultaneously or give A/B comparisons. Each has level trims to provide precise channel matching.

• Ultra-low noise and transparent circuit design
• Linear power supply with low hum toroidal transformer and internal voltage selector switch
• Three balanced stereo speaker outputs, plus a dedicated mono speaker/sub-woofer output
• All outputs with individual L/R trims under unit to provide complete control over level matching
• Timed relay protection on all speaker outputs to prevent power up/down thumps.

• Ultra low noise and transparent circuit design.
• Linear power supply with low hum toroidal transformer and internal voltage selector switch.
• 3 Input Sources - Balanced XLR, MP3 Player 3.5mm Jack & Switchable Line/Phono (RIAA MM) RCA.
• Two switchable output stages, Balanced XLR and RCA.
• Mono Sub woofer output available simultaneous to balanced outs.

• 2 channel, 1 rack unit Auto/Manual Gate/Compressor/Limiter
• Manual attack and release control
• Proprietary "Programme Adaptive" soft gate (envelope follower)
• Proprietary auto compressor with slope based attack and envelope following release
• Zero overshoot limiter (+20dB)
• Intergrated circuit VCA
• Proprietary log level detector (not RMS)

• Dual channel
• Compressor - Combines the smoothness of the 'Soft Knee' principle with the precision of a ratio control switchable for auto or manual control of Attack and Release times
• Peak level-'Zero Response Time', 'Zero Overshoot' circuitry provides an absolute limit to the peak level of the output signal, adjustable from 0dB to +16dB above system level

• Compact 8-channel monitor controller
• Ultra-low noise and transparent circuit design
• Covers 5.1, 7.1, quadraphonic, DTS, Dolby Digital EX, THX Surround EX, DTS-HD, Dolby Atmos, and more
• Large, ultra-precise volume knob supplies smooth volume changes
• Stereo Mix switch enables you to check your surround mix in stereo

• Ultra-low noise and transparent circuit design
• Source switches may be active in any combination
• 4 inputs: SPDIF (192kHz/24Bit), 2 analog balanced 1/4" stereo, 3.5mm front-panel Aux jack
• 3 pairs of speakers plus a mono sub may be switched individually and simultaneously or provide A/B comparisons

• Two THAT Corporation ultra clean mic pre's with 66dB of gain with phantom power and switchable mic impedance
• Separate Line & Mic input XLR's
• A pro quality instrument DI input with low and high EQ.
• Can be used as 2 mono tracking compressors or 1 stereo buss compressor (avoiding image shifting)
• FETs can be bypassed altogether to provide ultra clean outputs.
• Standard controls such as Threshold, Ratio, Attack & Release, with 8 LED GR Metering on each band.

• 2 Channel, 2 rack space vacuum tube compressor with mic/line/instrument preamp
• Proprietary vacuum tube/FET based discrete VCA
• Classic attack/release curvers used in vintage compressors
• Auto ratio depending on signal attack slope (1:30 maximum)

• Capable of Mounting Either MC2.1 or MC1.1
• Rack Ears
• High Quality Mounting Screws
• Durable Metal Front Panel
• Aux Cable

• Pristine, ultra low noise & transparent circuit design gives you an accurate representation of your mix whether it be surround or stereo.
• Each of the eight 7.1 speakers can be cut or soloed individually.
• Stereo outputs (including those mixed down from surround) can be monitored via the main stereo speaker outputs or the FL and FR from the surround speakers.

• Variable high pass and low pass filters for "frequency conscious" gating
• Comprehensive envelope control, attack, hold, decay, and range
• Key input for external triggering
• "Key listen" facility
• Extremely fast attack time, to preserve the natural attack of the sound
• Balanced inputs and outputs

• Dual Redundant Power Supply via 2 x universal voltage filtered mains power inlets for continuous operation & reliability
• LCD Display with 3 sample rate measurement modes and accurate to 2ppm
• Auto-Sensing Dual Redundant WordClock/AES3id BNC Inputs provide continuous operation and added dependability

• Auto Attack and Release
• Peak Level Limiter
• Bypass
• Stereo Linking

• Fast Reacting Stereo FET Design compressor with excellent Left/Right Tracking across the Full Range of compression and in a 1u rack mount housing.
• Threshold, Ratio, Attack and Release controls and Gain Reduction Metering provide familiar and intuative control over the audio. Anyone that knows how to use a compressor can operate the 1978.

• Powerful 3 Band all Analogue Saturation for adding warmth to both your digital and analogue sounds.
• Designed to Inject character to your audio reminiscent of 1970's era gear and remove the sanitized harshness that digital recordings suffer from

• Vintage-style 4-band parametric equalization
• Inspired by classic 1970s-era analog equipment
• Delivers classic sonic clarity and control at an affordable price
• Stereo operation with one set of controls for both channels
• Accurate, indented potentiometers provide precision for quick and easy recall

• 3-band stereo compressor for mixing and mastering
• FET compression reacts fast with a soft knee
• High-grade signal path all the way through, with impeccable left/right tracking across the full compression range
• Variable crossover frequencies, with mute and bypass switches for easy monitoring of each band
• Big and Air modes adds low-end body and high-end sparkle

• Switchable BIG and BIGGER control on each channel
• Dual mono or true stereo link operation
• Side chain access and side chain listen facility
• VU metering of gain reduction and output levels
• Switchable +10dB mode on VU re-scales the meter for users working at ‘hot’ output levels.
• VU red warning glow to signify ‘approaching clipping’

• Unique curved shape
• Enables proper sound dispersion
• Can minimize room reflections
• Swivel joint offers flexibility

• 0⁰-30⁰ vertical and +/- 45⁰ horizontal adjustment
• Maximum reliability and flexibility
• Made in Germany

• 8" Woofers (80W)
• 1" Soft-Dome Tweeters (50W)
• Biamped Class-D Amplifier
• Frequency Response: 45 Hz to 21 kHz
• 24-Bit / 96 kHz Signal Path and DSP
• Sensitivity: 3 Settings

• 8" Woofer (80W)
• 1" Soft-Dome Tweeter (50W)
• Biamped Class-D Amplifier
• Frequency Response: 45 Hz to 21 kHz
• 24-Bit / 96 kHz Signal Path and DSP
• Sensitivity: 3 Settings

• 7" Woofer
• 1" Soft Dome Tweeter
• Bi-Amped Class-D Amplifier: 2 x 50W
• Frequency Response: 45 Hz to 21 kHz
• 24-Bit / 96 kHz Signal Path and DSP
• Sensitivity: 3 Settings

• 7" Woofer
• 1" Soft Dome Tweeter
• Bi-Amped Class-D Amplifier: 2 x 50W
• Frequency Response: 45 Hz to 21 kHz
• 24-Bit / 96 kHz Signal Path and DSP
• Sensitivity: 3 Settings

• 5" Woofer
• 1" Soft Dome Tweeter
• Bi-Amped Class-D Amplifier: 2 x 50W
• Frequency Response: 50 Hz to 21 kHz
• 24-Bit / 96 kHz Signal Path and DSP
• Sensitivity: 3 Settings

• 5" Woofer
• 1" Soft Dome Tweeter
• Bi-Amped Class-D Amplifier: 2 x 50W
• Frequency Response: 50 Hz to 21 kHz
• 24-Bit / 96 kHz Signal Path and DSP
• Sensitivity: 3 Settings

• 8" Woofer
• 4" Mid-Woofer
• 1" Soft Dome Tweeter
• Tri-Amped: 50W / 50W / 80W Class-D
• 24-Bit / 96 kHz Signal Path and DSP
• Frequency Response: 40 Hz to 21 kHz

• 8" Woofer
• 4" Mid-Woofer
• 1" Soft Dome Tweeter
• Tri-Amped: 50W / 50W / 80W Class-D
• 24-Bit / 96 kHz Signal Path and DSP
• Frequency Response: 40 Hz to 21 kHz

• 4 x 9" Woofers
• 2 x 500W Class D Amplifiers
• XLR Analog and AES Digital Connections
• Uses CORE DSP System
• Use Up to 3 Subs at Once
• 13.5 Hz to 200 Hz Frequency Range

• 1" Esotar Pro Tweeter
• 7" MSP Glass-Fibre Woofer
• Biamped: 150/500 Class-D
• 24-Bit / 192 kHz Signal Path and DSP
• Frequency Response: 38 Hz to 31 kHz
• Analog and Digital Inputs with Wordclock

• 1" Esotar Pro Tweeter
• 5" MSP Mid-Woofer
• 9" Glass-Fiber Woofer
• Triamped: 150 / 500 / 500 Class-D
• 24-Bit / 192 kHz Signal Path and DSP
• Frequency Response: 36 Hz to 31 kHz

• 8" Woofer (80W)
• 1" Soft-Dome Tweeter (50W)
• Biamped Class-D Amplifier
• Frequency Response: 45 Hz to 21 kHz
• 24-Bit / 96 kHz Signal Path and DSP
• Sensitivity: 3 Settings

• 8" Woofer
• 4" Mid-Woofer
• 1" Soft Dome Tweeter
• Tri-Amped: 50W / 50W / 80W Class-D
• 24-Bit / 96 kHz Signal Path and DSP
• Frequency Response: 40 Hz to 21 kHz

• 8" Woofer
• 4" Mid-Woofer
• 1" Soft Dome Tweeter
• Tri-Amped: 50W / 50W / 80W Class-D
• 24-Bit / 96 kHz Signal Path and DSP
• Frequency Response: 40 Hz to 21 kHz

• 7" Woofer
• 4" Mid-Woofer
• 1" Tweeter
• Tri-Amped: 150W / 500W / 500W Class-D
• 24-Bit / 192 kHz Signal Path and DSP
• 44 Hz to 27 kHz (±3 dB)

• 7" Woofer
• 4" Mid-Woofer
• 1" Tweeter
• Tri-Amped: 150W / 500W / 500W Class-D
• 24-Bit / 192 kHz Signal Path and DSP
• 44 Hz to 27 kHz (±3 dB)

• 9.5" Long-Throw MSP Woofer
• Class-D 300W Amplifier
• Sealed Enclosure
• Frequency Range: 22 to 175 Hz
• Adjustable LP Filter (50 to 150 Hz)
• Selectable HP Filter (Flat, 60, 80 Hz)

• Dual 9.5" MSP+ Hybrid Drive Woofers
• Class-D 500W Amplifier
• Sealed Enclosure
• Frequency Range: 16 to 230 Hz
• Advanced Onboard DSP
• Presets for Dynaudio Monitors

• Panic Secondary Backup
• Digital and Analogue Audio Capabilities
• User Defined Dump Segments
• Momentary Edits
• Remote Operation

• Emote via Mac PC or IOS
• Powerful Control Over your Studio Monitoring
• Comprehensive Range of I/O Connectivity
• Console-Style Monitor Control

• Intuitive, Powerful Interface
• Scenes, Functions, Meters
• Direct I/O, World Clock, Presets
• Wifi & LAN

• Can be Daisy-Chained with Other Pro Tools Interfaces
• For up to 32 Channels of Direct I/O

• 32 Channels of Digital I/O for your H9000

• For the H9000

• Bypass Function
• Manual Control Through Delete Function
• Call Interrupt
• Fill Selection
• LED Level Metres

• Panic Secondary Backup
• User Defined Dump Segments
• Momentary Edit
• Remote Operation
• Digital and Analogue Audio Capabilities

• Switchable FX Loop
• Latching or Momentary Control
• 3 Modes of FX Mix Control
• 70 dB of Gain
• 48 V Phantom Power

• 4" Woofer, ¾" Tweeter
• 50W Bass Amplifier
• 50W Treble Amplifier
• Auto-Switching to Standby Saves Power
• Class-D Amplification

• 205 mm Woofer, 25 mm Tweeter
• 150W Bass Amplifier
• 120W Treble Amplifier
• Auto Switching to Standby Saves Power
• Curved Edges Reduce Distortions

• 165 mm Woofer, 19 mm Tweeter
• 90W Bass Amplifier, 90W Treble Amplifier
• Auto Switching to Standby Saves Power
• Curved Edges Reduce Distortions
• Wide On and Off Axis Response

• 74 to 20,000 Hz Frequency Response
• 3/4" Metal Dome Tweeter for Treble
• 76.2 mm Woofer for Bass
• Bass Tilt Control
• Aluminium Minimum Diffraction Enclosure

Passive DI Box. Instrument/Line in switch. Ground lift switch to eliminate hum.